It has been variously labelled 'Language Poetry', 'Language Writing', 'L=A=N=G=U=A=G=E writing' (after the magazine that ran from 1978 to 1981), and 'language-centred writing'. It has been placed according to its geographical positions, on East or West coasts; its venues in small magazines, independ
Poetry and Language Writing: Objective and Surreal (LUP - Poetry and)
β Scribed by David Arnold
- Publisher
- Liverpool University Press
- Year
- 2008
- Tongue
- English
- Leaves
- 215
- Category
- Library
No coin nor oath required. For personal study only.
β¦ Synopsis
Language Poetry, Language Writing, L=A=N=G=U=A=G=E writingβno matter the moniker, the impact of the movement and its particular pedigree of theory-conscious poetics, postmodern aesthetics, and non-academic stance cannot be denied. In this timely volume, David Arnold not only provides a means for coming to terms with this influential mode of writing and its ongoing crisis of representation but also reassesses the complex relationship between language poetry and surrealism, through discussion of some of late twentieth-centuryβs most innovative poets, including Charles Bernstein, Susan Howe, Michael Palmer, and Barrett Watten.
β¦ Table of Contents
Title Page......Page 4
Contents......Page 8
Acknowledgements......Page 10
Permissions......Page 12
1: The Scholarly Life of Language Writing......Page 16
2: Surrealism: An Excommunicated Vessel?......Page 34
3: Under the Sign of Negation: William Carlos Williams and Surrealism......Page 46
4: The Surreal-O-bjectivist Nexus......Page 76
5: Michael Palmerβs Poetics of Witness......Page 101
6: Scorch and Scan: The Writing of Susan Howe......Page 127
7: βJust Rehashed Surrealismβ? The Writing of Barrett Watten......Page 153
Notes......Page 181
Bibliography......Page 205
Index......Page 212
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