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Performing the Digital: Performativity and Performance Studies in Digital Cultures

✍ Scribed by Martina Leeker (editor); Imanuel Schipper (editor); Timon Beyes (editor); Knowledge Unlatched - KU Select 2016: Frontlist Collection (editor)


Publisher
transcript Verlag
Year
2017
Tongue
English
Leaves
301
Series
Digitale Gesellschaft; 11
Category
Library

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✦ Synopsis


How is performativity shaped by digital technologies - and how do performative practices reflect and alter techno-social formations? "Performing the Digital" explores, maps and theorizes the conditions and effects of performativity in digital cultures. Bringing together scholars from performance studies, media theory, sociology and organization studies as well as practitioners of performance, the contributions engage with the implications of digital media and its networked infrastructures for modulations of affect and the body, for performing cities, protest, organization and markets, and for the performativity of critique.
With contributions by Marie-Luise Angerer, Timon Beyes, Scott deLahunta and Florian Jenett, Margarete Jahrmann, Susan Kozel, Ann-Christina Lange, Oliver Leistert, Martina Leeker, Jon McKenzie, Sigrid Merx, Melanie Mohren and Bernhard Herbordt, Imanuel Schipper and Jens SchrΓΆter.

✦ Table of Contents


Contents
Introducing
Performativity, performance studies and digital cultures
Historicizing
Performing (the) digital
Annotating
Making digital choreographic objects interrelate
Affecting
Speculation about 1:0
Trading
The noisy motions of instruments
Encrypting
Performing encryption
Protesting
Mobile phone signals and protest crowds
Mapping
Mapping invisibility
Tagging
The big urban game, re-play and full city tags
Co-producing
From flΓ’neur to co-producer
Instituting
Performing institutions
Organizing
β€˜The machine could swallow everything’
Crashing
Performing the economy, digital media and crisis
Democratizing
Performance and democratizing digitality
Notes on contributors


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