Translated with an introduction and notes by Peter N. Bell. This one-volume translation, with commentary and introduction brings together three important works. All three texts cast great, if generally neglected light on politics and ideology in early Byzantium. Agapetus wrote, c. 527-30 CE, from
Paulus Silentiarius, Descriptio Sanctae Sophiae. Descriptio Ambonis
โ Scribed by Paulus Silentiarius, Claudio de Stefani
- Publisher
- De Gruyter
- Year
- 2011
- Tongue
- Latin
- Leaves
- 212
- Series
- Bibliotheca scriptorum Graecorum et Romanorum Teubneriana
- Category
- Library
No coin nor oath required. For personal study only.
โฆ Synopsis
The two poems Descriptio S. Sophiae and Descriptio Ambonis of Paul the Silentiary, composed for the inauguration (562 AD) of the church of St. Sophia (Istanbul) after its partial rebuilding, are an invaluable source for the history of Byzantine arts and a beautiful piece of late Greek poetry. Silentiary's poems respectively describe the church and its (now lost) pulpit. The Descriptio S. Sophiae also contains a lavish praise of emperor Justinian and of the patriarch Eutichius. De Stefani's edition is based on a collation of the witness of the text, Heid. Pal. gr. 23, and takes into account all previous bibliography. Some corrupted passages of the poems have been emendated, thefew false readings still present in the text printed by the last, authoritative editor, P. Friedlรคnder (1912), have been corrected.
โฆ Table of Contents
HOC VOLVMINE CONTINENTVR
Praefatio
Conspectus siglorum
Conspectus librorum
Descriptio Sanctae Sophiae
Descriptio Ambonis
Codicis Palatini ortographia et menda leviora
Index locorum similium et in apparatu laudatorum
Index verborum
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Description is most powerful when it's visible, aural, tactile. Make your descriptions fresh and they'll move your story forward, imbue your work with atmosphere, create that tang of feeling that editors cry for and readers crave. Monica Wood helps you squeeze the greatest flavor from the languag
Description is most powerful when it's visible, aural, tactile. Make your descriptions fresh and they'll move your story forward, imbue your work with atmosphere, create that tang of feeling that editors cry for and readers crave. Monica Wood helps you squeeze the greatest flavor from the languag