โ Scribed by McCarry, Charles
No coin nor oath required. For personal study only.
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McCarry is another ace spy novelist from the past to whom Overlook's Peter Mayer is giving a new lease on life (as with Robert Littell's The Company two years ago). Both of them are real pros, with McCarry having a more lapidary style and a rather more aristocratic turn of mind. His "old boys," former CIA men who come out of retirement to help one of their former colleagues, Horace Hubbard, find his lost cousin, Paul Christopher, are a classy group, each with a well-defined area of expertise. Christopher, an elderly agent himself (he starred in some of McCarry's earlier books, most notably in The Tears of Autumn), has disappeared, and apparently died, in a remote area of China. His ashes are sent back to the U.S. by the Chinese, and a memorial service is held. But Horace cannot believe he is dead, and nor can Paul's daughter, Zarah. As they set out on Christopher's trail, they find it leads to his remarkable mother, Lori, who was probably involved in the assassination of Nazi kingpin Heydrich in WWII and kept as a legacy of that monster a priceless scroll in his possession depicting the death of Christ from a Roman agent's viewpoint. The plot is almost indescribable, involving a Muslim terrorist who wants the scroll and who plans to blow up much of the West with a cache of miniature Soviet nuclear bombs; a Chinese forced-labor camp; and sundry ex-Nazis, ex-KGB men and double-crossers galore. It's a great tribute to McCarry's skill that he manages to keep all his colored balls in the air and carry the reader willingly with him. But the kitchen-sink approach to the plot increasingly strains credibility as the story zips along, and the tension between his all-too-believable "old boys" and the comic-book action is never satisfactorily resolved.
Copyright ยฉ Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
McCarry's latest is an old-fashioned, rollicking adventure that beats Ludlum and Cussler at their own game. When Paul Christopher, the enigmatic hero of several earlier McCarry novels, disappears while on a quest for his nonagenarian mother, Lori, his black-sheep cousin, Horace Hubbard, convenes a discreet cadre of over-the-hill spies to find their confrere--and to save the world from Ib'n Awad, an aging Islamic terrorist in possession of 12 nuclear suitcase bombs. In a beguiling twist sure to appeal to fans of The Da Vinci Code , all parties also seek a fabled ancient scroll that unmasks Jesus as an agent provocateur, handled by Judas for Roman spymaster Paul. The nonstop peregrinations of this league of extraordinary spooks take them to a score of exotic locales, pitting them against Chechen thugs, Chinese secret police, Nazi doctors, and a case of acute myocardial fibrillation. McCarry's commitment to this fanciful premise is absolute, and the resulting yarn combines the intrepid exploits of John Buchan, the cagey intrigue of Eric Ambler, and the clipped cadences of Dashiell Hammett. Tremendous fun. David Wright
Copyright ยฉ American Library Association. All rights reserved
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"Charles McCarry is the best modern writer on the subject of intrigue," wrote P.J. O'Rourke and Time Magazine has declared that "there is no better American spy novelist." McCarry's first book, The Miernik Dossier, originally published in 1973, is a riveting and imaginative tale in which a small gro
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