### From Publishers Weekly Starred Review. When retired newspaperman Stewart Dubinsky (last seen in 1987's *Presumed Innocent*) discovers letters his deceased father wrote during his tour of duty in WWII, a host of family secrets come to light. In Turow's ambitious, fascinating page-turner, a "fero
Ordinary Heroes
✍ Scribed by Scott Turow
- Publisher
- Pan;Grand Central Publishing
- Year
- 2005;2011
- Tongue
- English
- Weight
- 242 KB
- Edition
- First trade edition
- Category
- Fiction
No coin nor oath required. For personal study only.
✦ Synopsis
From Publishers Weekly
Starred Review. When retired newspaperman Stewart Dubinsky (last seen in 1987's Presumed Innocent) discovers letters his deceased father wrote during his tour of duty in WWII, a host of family secrets come to light. In Turow's ambitious, fascinating page-turner, a "ferocious curiosity" compels the divorced Dubinsky to study his "remote, circumspect" father's papers, which include love letters written to a fiancée the family had never heard of, and a lengthy manuscript, which his father wrote in prison and which includes the shocking disclosure of his father's court-martial for assisting in the escape of OSS officer Robert Martin, a suspected spy. The manuscript, hidden from everyone but the attorney defending him, tells of Capt. David Dubin's investigation into Martin's activities and of both men's entanglements with fierce, secretive comrade Gita Lodz. From optimistic soldier to disenchanted veteran, Dubin—who, via the manuscript, becomes the book's de facto narrator—describes the years of violence he endured and of a love triangle that exacted a heavy emotional toll. Dubinsky's investigations prove revelatory at first, and life-altering at last. Turow makes the leap from courtroom to battlefield effortlessly. (Nov. 1)
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From Bookmarks Magazine
Retired reporter Stewart Dubinsky last made an appearance in Presumed Innocent (1987). Here, the self-lacerating Dubinsky delves deep into his family’s wartime history—one loosely based on Turow’s father’s experiences. For critics, the question is whether a legal-thriller writer can succeed in another genre—and the answers vary. Out of the courtroom, Turow remains an effective storyteller whose characters (Gita in particular) and details of war create immediacy and intrigue. However, his usual spark seems to be missing. A few critics faulted the novel for introducing too much history, too many mysteries, and too many themes—from war to love to family secrets. In the end, the personal dramas that characterize Turow’s best works carry this story-within-a-story, too.
Copyright © 2004 Phillips & Nelson Media, Inc.
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