<b>The classic book on the art and history of weaving--now expanded and in full color</b><br /><br /><br /><br />Written by one of the twentieth century's leading textile artists, this splendidly illustrated book is a luminous meditation on the art of weaving, its history, its tools and techniques,
On Weaving: New Expanded Edition
β Scribed by Anni Albers; Manuel Cirauqui; T`ai Smith; Nicholas Fox Weber
- Publisher
- Princeton University Press
- Year
- 2017
- Tongue
- English
- Leaves
- 272
- Edition
- New Expanded
- Category
- Library
No coin nor oath required. For personal study only.
β¦ Synopsis
The classic book on the art and history of weavingβnow expanded and in full color
Written by one of the twentieth centuryβs leading textile artists, this splendidly illustrated book is a luminous meditation on the art of weaving, its history, its tools and techniques, and its implications for modern design. First published in 1965, On Weaving bridges the transition between handcraft and the machine-made, highlighting the essential importance of material awareness and the creative leaps that can occur when design problems are tackled by hand.
With her focus on materials and handlooms, Anni Albers discusses how technology and mass production place limits on creativity and problem solving, and makes the case for a renewed embrace of human ingenuity that is particularly important today. Her lucid and engaging prose is illustrated with a wealth of rare and extraordinary images showing the history of the medium, from hand-drawn diagrams and close-ups of pre-Columbian textiles to material studies with corn, paper, and the typewriter, as well as illuminating examples of her own work.
Now available for a new generation of readers, this expanded edition of On Weaving updates the bookβs original black-and-white illustrations with full-color photos, and features an afterword by Nicholas Fox Weber and essays by Manuel Cirauqui and Tβai Smith that shed critical light on Albers and her career.
β¦ Table of Contents
Contents
Introductory Note
Preface
Weaving, Hand
The Loom
Draft Notation
The Fundamental Constructions
Modified and Composite Weaves
Early Techniques of Thread Interlacing
Interrelation of Fiber and Construction
Tactile Sensibility
Tapestry
Designing as Visual Organization
Plates
Acknowledgments
Afterword
The Two Faces of Weaving
On Reading On Weaving
Contributors
Plate Credits
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