Designed to introduce music students and musicians to the vitality of music philosophical discourse, Philosophical Perspectives on Music explores diverse accounts of the nature and value of music. It offers an accessible, even-handed consideration of philosophical orientations without advocating any
On criticizing music: five philosophical perspectives
โ Scribed by Kingsley Price
- Publisher
- Johns Hopkins University Press
- Year
- 1981
- Tongue
- English
- Leaves
- 128
- Category
- Library
No coin nor oath required. For personal study only.
โฆ Synopsis
Book by Price, Professor Kinglsey
โฆ Table of Contents
Frontmatter
Contributors (page vii)
Preface (page ix)
1. Introduction (Kingsley Price, page 1)
2. Influence: Plagiarism and Inspiration (Charles Rosen, page 16)
3. The State of Academic Music Criticism (Joseph Kerman, page 38)
4. Understanding Music (Monroe C. Beardsley, page 55)
5. Romantic Music as Post-Kantian Critique: Classicism, Romanticism, and the Concept of the Semiotic Universe (Rose Rosengard Subotnik, page 74)
6. Music Criticism: Practice and Malpractice (Karl Aschenbrenner, page 99)
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