Night Talk and Other Poems

✍ Glück, Louise 📂 Fiction 🏛 Farrar, Straus and Giroux 🌐 en-US ⚖ 91 KB

**A luminous, seductive new collection from the "fearless" (*The New York Times*) Pulitzer Prize–winning poet** Louise Glück is one of the finest American poets at work today. Her *Poems 1962–2012* was hailed as "a major event in this country's literature" in the pages of *The New York Times*. Eve

Revolutionary Petunias: And Other Poems: Once Poems

✍ Walker, Alice 📂 Fiction 📅 2011 🏛 Open Road Media 🌐 English ⚖ 223 KB 👁 2 views

Alice Walker's first published book collects poems written as a student and on her first visit to Africa For readers seeking the origins of Alice Walker's potent, distinctive voice, this collection will provide ample insight. Composed while she was still a student at Sarah Lawrence College in the la

Love and Other Poems

✍ Alex Dimitrov 📂 Fiction 📅 2021 🏛 Copper Canyon Press 🌐 English ⚖ 403 KB

Alex Dimitrov's third book, _Love and Other Poems,_ is full of praise for the world we live in. Taking time as an overarching structure--specifically, the twelve months of the year--Dimitrov elevates the everyday, and speaks directly to the reader as if the poem were a phone call or a text message.

Howl, and other poems /

✍ by Allen Ginsberg ; [introduction by William Carlos Williams]. 📂 Fiction 📅 [1996] 🏛 City Lights Books, 🌐 English ⚖ 4 MB

40th Anniversary Commemorative Edition Printing

Maldoror and Other Poems

✍ de Lautreamont, Comte 📂 Fiction 📅 1978 🏛 Penguin 🌐 English ⚖ 155 KB

SUMMARY: Insolent and defiant, the Chants de Maldoror, by the self-styled Comte de Lautrčamont (1846-70), depicts a sinister and sadistic world of unrestrained savagery and brutality. One of the earliest and most astonishing examples of surrealist writing, it follows the experiences of Maldoror, a

Love and Other Poems

✍ Alex Dimitrov 📂 Fiction 📅 2021 🏛 Copper Canyon Press 🌐 English ⚖ 403 KB 👁 2 views

Alex Dimitrov's third book, _Love and Other Poems,_ is full of praise for the world we live in. Taking time as an overarching structure--specifically, the twelve months of the year--Dimitrov elevates the everyday, and speaks directly to the reader as if the poem were a phone call or a text message.