New Korean Cinema

✍ Chi-Yun Shin; Julian Stringer 📂 Library 📅 2022 🏛 Edinburgh University Press 🌐 English

<h4>A wide-ranging analysis of one of the world's most important contemporary film industries</h4> <ul><li>Provides new insights into the relations forged between cinema and civil society since the early 1990s</li><li>Considers innovative and timely areas of concern such as globalization, transnatio

New Korean Cinema: Breaking the Waves

📁 New Korean Cinema: Breaking the Waves

✍ Darcy Paquet 📂 Library 📅 2010 🏛 Wallflower Press 🌐 English

New Korean Cinema charts the dramatic transformation of South Korea's film industry from the democratization movement of the late 1980s to the 2000s new generation of directors. The author considers such issues as government censorship, the market's embrace of Hollywood films, and the soc

Rediscovering Korean Cinema

📁 Rediscovering Korean Cinema

✍ Sangjoon Lee (ed.) 📂 Library 📅 2019 🏛 University of Michigan Press 🌐 English

Korean Horror Cinema

📁 Korean Horror Cinema

✍ Alison Peirse; Daniel Martin 📂 Library 📅 2013 🏛 Edinburgh University Press 🌐 English

The first detailed English-language book on Korean horror introduces the cultural specificity of the genre to an international audience, from the iconic monsters of gothic horror, to the avenging killers of Oldboy and Death Bell. Beginning in the 1960s, it traces a path thro

Korean Horror Cinema

📁 Korean Horror Cinema

✍ Alison Peirse, Daniel Martin 📂 Library 📅 2013 🏛 Edinburgh University Press 🌐 English

The first detailed English-language book on Korean horror introduces the cultural specificity of the genre to an international audience, from the iconic monsters of gothic horror, to the avenging killers of Oldboy and Death Bell. Beginning in the 1960s, it traces a path through the history of Korean

Korean horror cinema

📁 Korean horror cinema

✍ Martin, Daniel; Peirse, Alison 📂 Library 📅 2013 🏛 Edinburgh University Press 🌐 English

The first detailed English-language book on Korean horror introduces the cultural specificity of the genre to an international audience, from the iconic monsters of gothic horror, to the avenging killers of Oldboy and Death Bell. Beginning in the 1960s, it traces a path through the history of Korean

New Korean Cinema

✦ Synopsis

✦ Subjects