Patterns are everywhere in nature - in the ranks of clouds in the sky, the stripes of an angelfish, the arrangement of petals in flowers. Where does this order and regularity come from? It creates itself. The patterns we see come from self-organization. Whether living or non-living, scientists have
Nature's Patterns: A Tapestry in Three Parts. Shapes
β Scribed by Philip Ball
- Publisher
- Oxford University Press, USA
- Year
- 2009
- Tongue
- English
- Leaves
- 319
- Series
- Natures Patterns
- Edition
- 1
- Category
- Library
No coin nor oath required. For personal study only.
β¦ Synopsis
Patterns are everywhere in nature - in the ranks of clouds in the sky, the stripes of an angelfish, the arrangement of petals in flowers. Where does this order and regularity come from? It creates itself. The patterns we see come from self-organization. Whether living or non-living, scientists have found that there is a pattern-forming tendency inherent in the basic structure and processes of nature, so that from a few simple themes, and the repetition of simple rules, endless beautiful variations can arise. Part of a trilogy of books exploring the science of patterns in nature, acclaimed science writer Philip Ball here looks at how shapes form. From soap bubbles to honeycombs, delicate shell patterns, and even the developing body parts of a complex animal like ourselves, he uncovers patterns in growth and form in all corners of the natural world, explains how these patterns are self-made, and why similar shapes and structures may be found in very different settings, orchestrated by nothing more than simple physical forces. This book will make you look at the world with fresh eyes, seeing order and form even in the places you'd least expect.
β¦ Table of Contents
Cover
......Page 1
Title: Natureβs Patterns. A Tapestry in Three Parts
......Page 4
Copyright
......Page 5
Shapes......Page 6
Contents......Page 8
Preface and acknowledgements
......Page 10
1. The Shapes of Things: Pattern and Form
......Page 12
The boundaries of evolution......Page 21
The genetic black box......Page 25
What is pattern and what is form?......Page 29
Why use maths?......Page 36
Model making......Page 41
The map is not the territory......Page 43
2. Lessons of the Beehive: Building with Bubbles
......Page 44
From nature into art......Page 49
Honeycombs of the sea......Page 55
Waterβs skin......Page 63
Balloon games......Page 69
Stacking bubbles......Page 71
Face to face......Page 84
Cheap ways to fill up space......Page 90
Crystal cells......Page 93
Patterned plastics......Page 101
Fossil foams......Page 104
3. Making Waves: Stripes in a Test Tube
......Page 114
Why change?......Page 116
Out of balance......Page 121
The chemical see-saw......Page 124
Blow up......Page 126
Going places......Page 130
Gas rings......Page 136
Ringing the changes......Page 140
Rock art......Page 143
Wild at heart......Page 146
Rhythms of life......Page 149
The pulse of the crowd......Page 153
In the beginning......Page 159
4. Written on the Body: Hiding, Warning, and Mimicking
......Page 162
Frozen waves......Page 165
Striped paint......Page 169
Skin deep......Page 173
Hard stuff......Page 189
Fishy evidence......Page 195
On the wing......Page 200
5. Rhythms of the Wild: Crystal Communities
......Page 211
Cycling to safety......Page 213
Claiming your patch......Page 218
The quick and the dead......Page 223
Turingβs cathedrals......Page 228
6. How Does Your Garden Grow: The Mathematics of a Daisy
......Page 237
Curves of life?......Page 239
Searching for Fibonacci......Page 246
Making spirals......Page 250
Under pressure......Page 257
7. Unfolding the Embryo: The Formation of Body Plans
......Page 268
Which came first?......Page 270
Striped eggs......Page 276
Opening the homeobox......Page 282
Hair today......Page 288
The shape of things to come......Page 291
The inevitability of form?......Page 295
The possible and the actual......Page 296
Appendix 1. Soap-film Structures
......Page 298
Appendix 2. Oscillating Chemical Reactions
......Page 300
Appendix 3. Chemical Waves in the BZ Reaction
......Page 302
Appendix 4. Liesegang Bands
......Page 304
Bibliography......Page 306
Index......Page 314
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