β Scribed by Michael Cherlin
No coin nor oath required. For personal study only.
A personal voyage of discovery drawing on musicology, literary theory, Jewish studies, and philosophical phenomenology.
π SIMILAR VOLUMES
<span>A personal voyage of discovery drawing on musicology, literary theory, Jewish studies, and philosophical phenomenology.</span>
<p>Arcing across thirty years and seven volumes, Jan Zwicky's poetry has always been acutely musical (and sensitive to the silence out of which music comes). In the compositions in <i>Chamber Music</i>, the first anthology of Zwicky's poems, one may perceive the attunement of her vocations: poet, ph
<span>What role did music play in the creation of a new aesthetics of poetry in French from the 1860s to the 1930s? How did music serve as an unassimilable 'other' against which the French symbolist poets crafted a new poetics? And why did music gradually disappear from early twentieth-century poeti