Modern Confessional Writing New Critical Essays (Routledge Studies in Twentieth-Century Literature)

✍ Scribed by Jo Gill

Year: 2005
Tongue: English
Leaves: 208
Edition: 1
Category: Library

No coin nor oath required. For personal study only.

✦ Synopsis

A comprehensive and scholarly account of this popular and influential genre, the essays in this collection explore confessional literature from the mid-twentieth century to the present day, and include the writing of John Berryman, Anne Sexton, Ted Hughes and Helen Fielding. Drawing on a wide range of examples, the contributors to this volume evaluate and critique conventional readings of confessionalism. Orthodox, humanist notions of the literary act of confession and its assumed relationship to truth, authority and subjectivity are challenged, and in their place a range of new critical perspectives and practices are adopted. Modern Confessional Writing develops and tests new theoretically-informed views on what confessional writing is, how it functions, and what it means to both writer and reader. When read from these new perspectives modern confessional writing is liberated from the misconception that it provides a kind of easy authorial release and readerly catharsis, and is instead read as a discursive, self-reflexive, sophisticated and demanding genre.

✦ Table of Contents

Book Cover......Page 1
Half Title......Page 2
Series Title......Page 3
Title......Page 4
Copyright......Page 5
Contents......Page 6
Contributors......Page 8
Acknowledgements......Page 10
Introduction......Page 12
1. Dangerous Confessions: The Problem of Reading Sylvia Plath Biographically......Page 22
2. Confessing the Body: Plath, Sexton, Berryman, Lowell, Ginsberg and the Gendered Poetics of the ‘Real’......Page 44
3. ‘To Feel with a Human Stranger’: Adrienne Rich’s Post-Holocaust Confession and the Limits of Identification......Page 61
4. ‘Your Story. My Story: ’Confessional Writing and the Case of Birthday Letters......Page 78
5. Bridget Jones’s Diary: Confessing Post-Feminism......Page 95
6. ‘The Memoir as Self-Destruction: ’A Heartbreaking Work of Staggering Genius......Page 111
7. Truth, Confession and the Post-Apartheid Black Consciousness in Njabulo Ndebele’s The Cry of Winnie Mandela......Page 126
8. Personal Performance: The Resistant Confessions of Bobby Baker......Page 148
9. Death Sentences: Confessions of Living with Dying in Narratives of Terminal Illness......Page 165
10. Cultures of Confession/Cultures of Testimony: Turning the Subject Inside Out......Page 177
11. How We Confess Now: Reading the Abu Ghraib Archive......Page 191
Index......Page 204

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