First published in 1963. When originally published this book was the first to treat at full length the contribution which music makes to Shakespeare's great tragedies, among them Hamlet, Othello, and King Lear. Here the playwright's practices are studied in conjunction with those of his contemporari
Metaphoric Resonance in Shakespearean Tragedy
โ Scribed by Myron Stagman
- Publisher
- Cambridge Scholars Publishing
- Year
- 2009
- Tongue
- English
- Leaves
- 131
- Edition
- 1
- Category
- Library
No coin nor oath required. For personal study only.
โฆ Synopsis
An occasional prefigurement and echo was hardly unknown before Shakespeare. But the vast echoismโcontinuing forward and backward referencesโutilized in certain Shakespearean tragedies, was rare if unknown before him. Who, even now, does this?Two examples of messages conveyed via metaphoric resonance:(1) an element of the weight metaphoric trail in Coriolanus:The protagonist says scornfully to the Citizens in the first Act:He that depends upon your favours swims with fins of lead.In the second Act, Coriolanus more cautiously, deceptively, remarks to the plebeians' tribune Brutus:Your people, I love them as they weigh.The full import of this statement would be lost without knowledge of the metaphoric resonance, which tells us he is not impartial.(2) Richard II, Act II, scene 1:John of Gaunt begins his famous prophesying-and-punning speech to King Richard:โO, how [my] name fits my composition! ... gaunt in being old.... and therein fasting, hast thou made me gaunt.Gaunt am I for the grave, gaunt as a grave.โShakespeare set up other prophesies in the play with this one by John of Gaunt. Thus, in the fourth scene of Act II, a Captain declares, โAnd lean-look'd prophets whisper fearful change.โThe playwright has been criticized for having Gaunt pun at such a time, but name a better way for the playful Shakespeare to tip off the audience to a shrewdly resonant โlean-look'd prophetsโ two scenes away.
โฆ Subjects
Shakespeare, William, -- 1564-1616. -- Plays. -- Selections. ; Shakespeare, William, -- 1564-1616 -- Criticism, Textual. ; Metaphor in literature.
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First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored,
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