Metafiction is one of the most distinctive features of postwar fiction, appearing in the work of novelists as varied as Eco, Borges, Martin Amis and Julian Barnes. It comprises two elements: firstly cause, the increasing interpenetration of professional literary criticism and the practice of writing
Metafiction
โ Scribed by Currie, Mark
- Publisher
- Routledge
- Year
- 2016
- Tongue
- English
- Leaves
- 262
- Series
- Longman critical readers
- Category
- Library
No coin nor oath required. For personal study only.
โฆ Table of Contents
General Editor's Preface Acknowledgements Introduction Part One: Defining Metafiction 1. Metafiction 2. What is metafiction and why are they saying such awful things about it? 3. Metanarrative signs Part Two: Historiographic Metafiction 4. Historiographic metafiction 5. British historiographic metafiction 6. The question of narrative in contemporary historical theory Part Three: The writer/critic 7. The novel now 8. The literature of exhaustion 9. From Reflections on the "Name of the Rose" Part Four: Readings of Metafiction 10.The art of metafiction 11. Metafiction, the historical novel and Coover's "The Public Burning" 12. The Novel, illusion and reality: the paradox of omniscience in "The French Lieutenant's Women" 13. A novel which is a machine for generating interpretations Bibliography Index
โฆ Subjects
Literature -- History and criticism;Literary style;Fiction -- History and criticism;Fiction -- Technique;Fiction;Literature
๐ SIMILAR VOLUMES
One of the most outstanding properties of Russian postmodernist fiction is its reliance on metafictional devices which foreground aspects of the writing, reading or structure, and draw attention to the constructed nature of fiction writing. Some common metafictional strategies include overt commenta
One of the most outstanding properties of Russian postmodernist fiction is its reliance on metafictional devices which foreground aspects of the writing, reading or structure, and draw attention to the constructed nature of fiction writing. Some common metafictional strategies include overt commenta
One of the most outstanding properties of Russian postmodernist fiction is its reliance on metafictional devices which foreground aspects of the writing, reading or structure, and draw attention to the constructed nature of fiction writing. Some common metafictional strategies include overt commenta
<p>Metafiction Short Story Writers is a single-volume reference that was carefully selected by our editors to provide the best information available about the topic covered. The essays in Metafiction Short Story Writers discuss such influential authors as Margaret Atwood, Truman Capote, Henry James