Of interest to historians, classicists, media and digital theorists, literary scholars, museologists, and archivists, Media, Memory, and the First World War is a comparative study that shows how the dominant mode of communication in a popular culture - from oral traditions to digital media - shapes
Media, Memory, and the First World War
β Scribed by David Williams
- Publisher
- McGill-Queen's University Press
- Year
- 2009
- Tongue
- English
- Leaves
- 334
- Series
- McGill-Queen's Studies in the History of Ideas; 48
- Category
- Library
No coin nor oath required. For personal study only.
β¦ Synopsis
Why does the Great War seem part of modern memory when its rituals of mourning and remembrance were traditional, romantic, even classical? In this highly original history of memory, David Williams shows how classic Great War literature, including work by
β¦ Table of Contents
Contents
Acknowledgments
Introduction
PART ONE: MEMORY AND MEDIA
1 Modern Memory
2 Mediated Memory
PART TWO: CLASSICAL MEMORY: ORALITY AND LITERACY
3 Oral Memory and the Anger of Achilleus
4 Scripts of Empire: Remembering Virgil in Barometer Rising
PART THREE: THE END OF THE BOOK AND THE BEGINNING OF CINEMA
5 Cinematic Memory in Owen, Remarque, and Harrison
6 "Spectral Images": The Double Vision of Siegfried Sassoon
PART FOUR: PHOTO/PLAY: SEEING TIME AND (HEARING) RELATIVITY
7 Photographic Memory: "A Force of Interruption" in The Wars
8 A Play of Light: Dramatizing Relativity in R. H. Thomson's The Lost Boys
PART FIVE: VIRTUAL PRESENCES: HISTORY IN THE ELECTRONIC AGE
9 Electronic Memory: "A New Homeric Mode" on History Television
10 Sound Bytes in the Archive and the Museum
Conclusion
Notes
Works Cited
Index
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
Y
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