This is not the story of the woman you think you know. You know only the tales of men through the ages. No, this is the story of a dangerous woman fighting for her freedom in a world dominated by cruel gods and ego driven men… In the house of King Aeetes on the shores of the Black Sea, Medea plays
Medea the Witch
✍ Scribed by Dora Benley
- Book ID
- 111127977
- Publisher
- Edward Ware Thrillers YA, an imprint of Cheops Books, LLC
- Year
- 2017
- Tongue
- English
- Weight
- 130 KB
- Category
- Fiction
- ASIN
- B071JMNJL8
No coin nor oath required. For personal study only.
✦ Synopsis
Medea the Witch is the story of Jason and Medea told from the point of view of Medea. This is not the more familiar tale of Jason's voyage to Colchis in which the latter encounters Harpies and monsters at every turn (i.e., the material of the 1950's movie Jason and the Argonauts), but rather it is the tale of the clash of two very different cultures. Medea comes from the fading world of Goddess worshipers with a long matriarchal tradition. She is suddenly thrust into Jason's Greek world of the followers of the Sky God Zeus where women are best left behind veils. No one understands her "magic" and she is called a "witch." She is left to defend herself as best she can. The death of her tradition combines with the havoc wreaked by the Thera volcanic eruption at the end of the Bronze Age to presage the end of her world.
If you liked Medea the Witch, you will like other tales by Dora Benley including Minotaur, Helen of Troy, Book of the Dead, Mary’s Gone, and Latin Lessons.
📜 SIMILAR VOLUMES
Jasón no solo regresó de la Cólquide con el vellocino de oro, sino que también sedujo a la hija del rey Eetes, Medea. A su vuelta a Yolco, hallan un escenario de traición familiar del que huyen dejando un rastro carmesí. Cuando recalen en Corinto, Medea desplegará una pavorosa venganza contra Jasón
Strutturato come un affresco polifonico, con vari personaggi che raccontano ciascuno il proprio punto di vista, il romanzo riscopre fonti antecedenti ad Euripide e ribalta la visione tramandataci dalla tradizione, rivelando così una nuova figura di donna. Medea non è più l'infanticida vittima dell'o