Stefan Koelsch has chosen a hard problem in exploring the responses of listeners to aspects of meaning in western common-practice period tonal-harmonic music. This is a highly culturally-particularized art-music that has accreted strata of discursive significance likely to condition its experience i
✦ LIBER ✦
Meaning in music and language: Three key differences: Comment on “Towards a neural basis of processing musical semantics” by Stefan Koelsch
✍ Scribed by L. Robert Slevc; Aniruddh D. Patel
- Book ID
- 108246235
- Publisher
- Elsevier Science
- Year
- 2011
- Tongue
- English
- Weight
- 71 KB
- Volume
- 8
- Category
- Article
- ISSN
- 1571-0645
No coin nor oath required. For personal study only.
📜 SIMILAR VOLUMES
The meanings of musical meanings: Commen
✍
Ian Cross
📂
Article
📅
2011
🏛
Elsevier Science
🌐
English
⚖ 81 KB
Music, meaning, and the brain: Comment o
✍
Gunter Kreutz
📂
Article
📅
2011
🏛
Elsevier Science
🌐
English
⚖ 60 KB
Multiple varieties of musical meaning: C
✍
W. Tecumseh Fitch; Bruno Gingras
📂
Article
📅
2011
🏛
Elsevier Science
🌐
English
⚖ 66 KB
The meanings of semantics: Comment on “T
✍
Uli Reich
📂
Article
📅
2011
🏛
Elsevier Science
🌐
English
⚖ 67 KB
Questioning the distinction between intr
✍
Stephen Davies
📂
Article
📅
2011
🏛
Elsevier Science
🌐
English
⚖ 63 KB
Transitional zones of meaning and semant
✍
Stefan Koelsch
📂
Article
📅
2011
🏛
Elsevier Science
🌐
English
⚖ 90 KB
I thank all commentators for their contribution to this discussion on musical semantics, and I am grateful for their insightful, resourceful, and thought-provoking comments. Just reading the titles of their comments illustrates how interesting and multifarious this field is. While reading the commen