<p><span>What the Victorian history of self-help reveals about the myth of individualism.</span></p><p><span>Stories of hardworking characters who lift themselves from rags to riches abound in the Victorian era. From the popularity of such stories, it is clear that the Victorians valorized personal
Material Ambitions: Self-Help and Victorian Literature
β Scribed by Rebecca Richardson
- Publisher
- Johns Hopkins University Press
- Year
- 2021
- Tongue
- English
- Leaves
- 268
- Category
- Library
No coin nor oath required. For personal study only.
β¦ Synopsis
What the Victorian history of self-help reveals about the myth of individualism.
Stories of hardworking characters who lift themselves from rags to riches abound in the Victorian era. From the popularity of such stories, it is clear that the Victorians valorized personal ambition in ways that previous generations had not. In Material Ambitions, Rebecca Richardson explores this phenomenon in light of the under-studied reception history of Samuel Smiles's 1859 publication, Self-Help: With Illustrations of Character, Conduct, and Perseverance. A compilation of vignettes about captains of industry, artists, and inventors who persevered through failure and worked tirelessly to achieve success in their respective fields, Self-Help links individual ambition to the growth of the nation.
Contextualizing Smiles's work in a tradition of Renaissance self-fashioning, eighteenth-century advice books, and inspirational biography, Richardson argues that the burgeoning self-help genre of the Victorian era offered a narrative structure that linked individual success with collective success in a one-to-one relationship. Advocating for a broader cultural account of the ambitious hero narrative, Richardson argues that reading these biographies and self-help texts alongside fictional accounts of driven people complicates the morality tale that writers like Smiles took pains to invoke. In chapters featuring the works of Harriet Martineau, Dinah Craik, Thackeray, Trollope, and Miles Franklin, Richardson demonstrates that Victorian fiction dramatized ambition by suggesting where it runs up against the limits of an individual's energy and ability, where it turns into competition, or where it risks upsetting a socio-ecological system of finite resources. The upward mobility plots of John Halifax, Gentleman or Vanity Fair suggest the dangers of zero-sum thinking, particularly evidenced by contemporary preoccupations with Malthusian and Darwinian discourses.
Intertwining the methodologies of disability studies and ecocriticism, Material Ambitions persuasively unmasks the longstanding myth that ambitious individualism can overcome disadvantageous systematic and structural conditions.
β¦ Table of Contents
Cover
Half Title
Title
Copyright
Contents
Acknowledgments
Introduction: Self-Help and the Story of the Ambitious Individual
1 Forming the Ambitious Individual in Samuel Smilesβs Self-Help
2 Expanding the Story of Ambition, Work, and Health in a Limited World: Harriet Martineauβs Economic and Illness Writing
3 Enabling the Self-Help Narrative in Dinah Craikβs John Halifax, Gentleman
4 βAt What Point This Ambition Transgresses the Boundary of Virtueβ: From Thackerayβs Barry Lyndon to Vanity Fair
5 Individuating Ambitions in a Competitive System: Trollopeβs Autobiography and The Three Clerks
6 Placing and Displacing Ambition: Miles Franklinβs My Brilliant Career and My Career Goes Bung
Coda
Notes
Bibliography
Index
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
Y
Z
π SIMILAR VOLUMES
<p>Now in paperback, this book considers crime fighting from the perspective of the civilian city-goer, from the mid-Victorian garotting panics to 1914. It charts the shift from the use of body armour to the adoption of exotic martial arts through the works of popular playwrights and novelists, exam
<P>Addressing the Victorian obsession with the sordid materiality of modern life, this book studies dirt in nineteenth-century English literature and the Victorian cultural imagination. Dirt litters Victorian writing β industrial novels, literature about the city, slum fiction, bluebooks, and the re
This book considers crime fighting from the perspective of the civilian city-goer, from the mid-Victorian garotting panics to 1914. It charts the shift from the use of 'body armour' to the adoption of exotic martial arts through the works of popular playwrights and novelists, examining changing idea
<p>Nineteenth-century British culture frequently represented the eye as the preeminent organ of truth. These essays explore the relationship between the verbal and the visual in the Victorian imagination. They range broadly over topics that include the relationship of optical devices to the visual i