β Scribed by Anna Larner
No coin nor oath required. For personal study only.
Newly appointed art curator Molly Goode is committed to diversifying her museum's collection. When Georgina Wright, the museum's aloof benefactor, asks for Molly's help in identifying the provenance of a 19th century portrait of social activist Josephine Brancaster, Molly welcomes the opportunity, even if it means spending time with the standoffish financier. But passions soon flare as the women uncover the heartbreaking story of doomed lesbian love behind the watercolor painted by Josephine's lover, Edith Hewitt.
As their love blossoms, Molly is determined to display Edith's portrait of Josephine and to tell their story in the museum, but she needs the influential Georgina to help convince the board. When an unforeseen twist in the painting's provenance forces Georgina to confront her own painful past, will history repeat itself, or can Molly and Georgina's love prevail?
π SIMILAR VOLUMES
When Julia Westgard commissions a nude portrait of herself, the painting is much more than a rebellious act. Itβs an attempt to regain her self-worth after years of a loveless, repressive marriage to her late husband. But the private portrait puts her directly in the path of Morgan St. Claire, one o
When Julia Westgard commissions a nude portrait of herself, the painting is much more than a rebellious act. Itβs an attempt to regain her self-worth after years of a loveless, repressive marriage to her late husband. But the private portrait puts her directly in the path of Morgan St. Claire, one o
Newly appointed art curator Molly Goode is committed to diversifying her museum's collection. When Georgina Wright, the museum's aloof benefactor, asks for Molly's help in identifying the provenance of a 19th century portrait of social activist Josephine Brancaster, Molly welcomes the opportunity, e
Newly appointed art curator Molly Goode is committed to diversifying her museum's collection. When Georgina Wright, the museum's aloof benefactor, asks for Molly's help in identifying the provenance of a 19th century portrait of social activist Josephine Brancaster, Molly welcomes the opportunity, e