<p><span>Recording Russia</span><span> examines scenes of listening to "the people" across a variety of texts by Russian writers and European travelers to Russia.</span><span> Gabriella Safran challenges readings of these works that essentialize Russia as a singular place where communication between
Listening to Nineteenth-Century America
β Scribed by Mark M. Smith
- Publisher
- UNC Press Books
- Year
- 2015
- Tongue
- English
- Leaves
- 384
- Category
- Library
No coin nor oath required. For personal study only.
β¦ Synopsis
Arguing for the importance of the aural dimension of history, Mark M. Smith contends that to understand what it meant to be northern or southern, slave or free--to understand sectionalism and the attitudes toward modernity that led to the Civil War--we must consider how antebellum Americans comprehended the sounds and silences they heard.
Smith explores how northerners and southerners perceived the sounds associated with antebellum developments including the market revolution, industrialization, westward expansion, and abolitionism. In northern modernization, southern slaveholders heard the noise of the mob, the din of industrialism, and threats to what they considered their quiet, orderly way of life; in southern slavery, northern abolitionists and capitalists heard the screams of enslaved labor, the silence of oppression, and signals of premodernity that threatened their vision of the American future. Sectional consciousness was profoundly influenced by the sounds people attributed to their regions. And as sectionalism hardened into fierce antagonism, it propelled the nation toward its most earsplitting conflict, the Civil War.
π SIMILAR VOLUMES
<p><b><i>Recording Russia</i></b><b> examines scenes of listening to "the people" across a variety of texts by Russian writers and European travelers to Russia.</b> Gabriella Safran challenges readings of these works that essentialize Russia as a singular place where communication between the classe
<p>This pathbreaking work reveals the pivotal role of music--musical works and musical culture--in debates about society, self, and culture that forged European modernity through the "long nineteenth century." Michael Steinberg argues that, from the late 1700s to the early 1900s, music not only refl
<br> <p>This pathbreaking work reveals the pivotal role of music--musical works and musical culture--in debates about society, self, and culture that forged European modernity through the "long nineteenth century." Michael Steinberg argues that, from the late 1700s to the early 1900s, music not on
In this audacious book, Ana MarΓa Ochoa Gautier explores how listening has been central to the production of notions of language, music, voice, and sound that determine the politics of life. Drawing primarily from nineteenth-century Colombian sources, Ochoa Gautier locates sounds produced by differe
"In this audacious book, Ana MarΓa Ochoa Gautier explores how listening has been central to the production of notions of language, music, voice, and sound that determine the politics of life. Drawing primarily from nineteenth-century Colombian sources, Ochoa Gautier locates sounds produced by differ