Kenneth Lonergan: Filmmaker and Philosopher
β Scribed by Todd May
- Publisher
- Bloomsbury Academic
- Year
- 2020
- Tongue
- English
- Leaves
- 185
- Category
- Library
No coin nor oath required. For personal study only.
β¦ Synopsis
Kenneth Lonerganβs three filmsβYou Can Count on Me (2000), Margaret (2011), and Manchester by the Sea (2016)βare rife with philosophical complexities. They challenge simple philosophical approaches to central issues of human behaviour. In particular, they ask questions about how to cope with suffering that one cannot overcome, the role that self-deception plays in peopleβs lives and how to think about characters who do not embody simplistic moral ideas of virtue and vice. By philosophically engaging with these themes as they unfold in Lonerganβs films, we are then able to formulate a more nuanced answer to the questions they pose. Kenneth Lonergan: Philosophical Filmmaker will draw from Lonerganβs films and plays, along with the philosophical literature on the topics that they explore. The rich history of philosophical reflection surrounding these areas enables the reader to determine how the themes central to Lonerganβs work have combined to create a rich cinematic oeuvre.
β¦ Table of Contents
Cover
Half Title
Series
Title
Copyright
Contents
Preface and Acknowledgments
A Note on the Films
1 Introduction
2 Irredeemable Suffering
3 Self-Deception
4 Normative Complexity
5 Lonergan and Philosophy: Taking Stock
Notes
1 Introduction
2 Irredeemable Suffering
3 Self-Deception
4 Normative Complexity
5 Lonergan and Philosophy: Taking Stock
Bibliography
Index
π SIMILAR VOLUMES
Bernard Lonergan (1904β84) is acknowledged as one of the most significant philosopher-theologians of the 20th century. Lonergan, Meaning and Method in many ways complements Andrew Beardsβ previous book on Lonergan, Insight and Analysis (Bloomsbury, 2010). Andrew Beards applies Lonerganβs thought and
<p>Described as 'America's greatest living playwright' (<i>Wall Street Journal</i>), Kenneth Lonergan is internationally acclaimed for his trademark humour and his genius for capturing the real heart and soul of human interactions. This volume gathers together three of his landmark plays.</p><p><i>T
The philosophic thought of Bernard Lonergan often ran contrary to that of his contemporaries in the dominant analytical school. In Philosophical Encounters, Joseph Fitzpatrick delves behind the concepts and terms both Lonergan and the analytical school employed and shared in order to map out clearly
<p><i>Philosophical Encounters</i> defends Lonergan from the kind of attacks typically made against his position and conveys something of the deep influences on Lonergan?s mind that help to account for its distinctiveness.</p>