Las televisiones de nuestro país son un misterio. Cuando definitivamente decides no volver a conectar jamás con uno de esos malditos canales y alimentarte sólo de emisiones extranjeras, te sorprenden con una docena de films terroríficos de Serie B. Paradójicamente la 2 de TVE ha sido el canal que no
John Waters
✍ Scribed by James Egan
- Publisher
- University Press of Mississippi
- Year
- 2011
- Tongue
- English
- Category
- Library
No coin nor oath required. For personal study only.
✦ Synopsis
The films of John Waters (b. 1946) are some of the most powerful send-ups of conventional film forms and expectations since Luis Bu-uel and Salvador Dali's Un Chien Andalou. In attempting to reinvigorate the experience of movie-going with his shock comedy, Waters has been willing to take the chance of offending nearly everyone. His characters have great dignity and resourcefulness, taking what's different or unacceptable or grotesque about themselves, heightening it and turning it into a handmade personal style. The interviews collected here span Waters's career from 1965 to 2010 and include a new one exclusive to this edition. Waters began making films in his hometown of Baltimore in 1964. Demonstrating an innate talent at capturing the hideous and crude and elevating it to art, he reached international acclaim with his outrageous shock comedy Pink Flamingos. This landmark film redefined cinema and became a cult classic...
📜 SIMILAR VOLUMES
Las televisiones de nuestro país son un misterio. Cuando definitivamente decides no volver a conectar jamás con uno de esos malditos canales y alimentarte sólo de emisiones extranjeras, te sorprenden con una docena de films terroríficos de Serie B. Paradójicamente la 2 de TVE ha sido el canal que no
Las televisiones de nuestro país son un misterio. Cuando definitivamente decides no volver a conectar jamás con uno de esos malditos canales y alimentarte sólo de emisiones extranjeras, te sorprenden con una docena de films terroríficos de Serie B. Paradójicamente la 2 de TVE ha sido el canal que no