(Instructional). "What good is music if it ain't got that swing?" Duke Ellington The Associated Board responds with Jazz Piano , a comprehensive introduction to the world of jazz. A pioneering set of publications and optional assessment materials provides the building blocks you need to play jaz
Jazz Piano - Level 2
β Scribed by Hal Leonard Corp.
- Publisher
- ABRSM Publishing
- Year
- 2003
- Tongue
- English
- Leaves
- 54
- Category
- Library
No coin nor oath required. For personal study only.
β¦ Synopsis
(Instructional). "What good is music if it ain't got that swing?" Duke Ellington The Associated Board responds with Jazz Piano , a comprehensive introduction to the world of jazz. A pioneering set of publications and optional assessment materials provide the building blocks you need to play jazz with imagination, understanding, and style, and to improvise effectively right from the start. Five levels of graded pieces contain a wide range of styles: funky jazz, up-tempo swing, calypso, Latin, jazz waltz, modal, bebop, Gospel, ragtime, free jazz, and more. There are classic tunes by Duke Ellington, Miles Davis, Bill Evans, and Thelonious Monk. Within each level there are 15 pieces, aural tests, quick studies, scales, arpeggios, and a CD. The 15 pieces are presented in three categories: blues, standards, and contemporary jazz. Each piece provides a head/melody which contains all the characteristic voicings, phrasing, and rhythmic patterns needed for a stylish performance. An improvised section follows, where guideline pitches and left-hand voicings are given as a practical starting point for solos. Totally accessible and at the highest musical standards, these pieces provide the opportunity to play jazz confidently and creatively.
π SIMILAR VOLUMES
Author: Brian Priestley.<br/>Publisher: Woodford Green.<br/>International Music Publications, <br/>1986. <br/>Responsibility: transcribed by Brian Priestley. <br/>48 pages.<br/>Brian Priestley (born 10 July 1940) is an English jazz writer, pianist and arranger.<br/>My funny Valentine; <br/>Body and
The tunes in the New Orleans Jazz Styles series are written for piano students of intermediate level. Gillock believed that every student's musical education should include experiences in a variety of popular stylings, including jazz, as a recurring phase of his or her studies. Students should also
<p>With over 100 illustrations, book 2 of Learn Jazz Piano journeys further into the heart of jazz and blues improvisation. In non-technical language Paul Abrahams explains such concepts as rootless voicings and tritone substitution.
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