"The book examines the Italian Gothic horror of the period, with previously unpublished production information drawn from official papers and original scripts. Entries include a complete cast and crew list, home video releases, plot summary and the author's analysis. Excerpts from interviews with fi
Italian Gothic Horror Films, 1957-1969
โ Scribed by Roberto Curti, Foreword by Ernesto Gastaldi
- Publisher
- McFarland
- Year
- 2015
- Tongue
- English
- Leaves
- 221
- Category
- Library
No coin nor oath required. For personal study only.
โฆ Synopsis
The "Gothic" style was a key trend in Italian cinema of the 1950s and 1960s because of its peculiar, often strikingly original approach to the horror genre. These films portrayed Gothic staples in a stylish and idiosyncratic way, and took a daring approach to the supernatural and to eroticism, with the presence of menacing yet seductive female witches, vampires and ghosts. Thanks to such filmmakers as Mario Bava (Black Sunday), Riccardo Freda (The Horrible Dr. Hichcock), and Antonio Margheriti (Castle of Blood), as well the iconic presence of actress Barbara Steele, Italian Gothic horror went overseas and reached cult status. The book examines the Italian Gothic horror of the period, with an abundance of previously unpublished production information drawn from official papers and original scripts. Entries include a complete cast and crew list, home video releases, plot summary and the author's analysis. Excerpts from interviews with filmmakers, scriptwriters and actors are included. The foreword is by film director and scriptwriter Ernesto Gastaldi.
โฆ Subjects
History Criticism Movies Humor Entertainment Genre Films Film Television Performing Arts Humanities New Used Rental Textbooks Specialty Boutique
๐ SIMILAR VOLUMES
The Italian Gothic horror genre underwent many changes in the 1980s, with masters such as Mario Bava and Riccardo Freda dying or retiring and young filmmakers such as Lamberto Bava (<i>Macabro</i>, <i>Demons</i>) and Michele Soavi (<i>The Church</i>) surfacing. Horror films proved commercially s
Italian Gothic horror films of the 1970s were influenced by the violent <i>giallo</i> movies and adults-only comics of the era, resulting in a graphic approach to the genre. Stories often featured over-the-top violence and nudity and pushed the limits of what could be shown on the screen. The decade
<div>Ever since horror became wildly popular in the 1970s, journalists have warned against the dangers of increasingly explicit forms of violent entertainment. Xavier Aldana Reyes takes a different stance in <i>Body Gothic</i>, celebrating the transgressive qualities of this genre. Reyes considers r
There is no cinema with such effect as that of the hallucinatory Italian horror film. From Riccardo Freda's I Vampiri in 1956 to Il Cartaio in 2004, this work recounts the origins of the genre, celebrates at length ten of its auteurs, and discusses the noteworthy films of many others associated with