EDITORIAL REVIEW: \*\* From "one of the best crime writers at work today" (Michael Connelly) comes a fast,f unny, violent new noir crime classic-a Coen Brothers movie come to life. \*\* He has been compared to Lehane, Ellroy, and Pelecanos, but Ace Atkins's rich, raucous, passionate
Infamous
โ Scribed by Ace Atkins
- Publisher
- Putnam Adult;G.P. Putnam's Sons
- Year
- 2010
- Tongue
- English
- Weight
- 237 KB
- Category
- Fiction
No coin nor oath required. For personal study only.
โฆ Synopsis
EDITORIAL REVIEW:
** From "one of the best crime writers at work today" (Michael Connelly) comes a fast,f unny, violent new noir crime classic-a Coen Brothers movie come to life. **
He has been compared to Lehane, Ellroy, and Pelecanos, but Ace Atkins's rich, raucous, passionate blend of historical novel and crime story is all his own and never more so than in *Infamous*.
In July 1933, the gangster known as George "Machine Gun" Kelly staged the kidnapping-for-ransom of an Oklahoma oilman. He would live to regret it. Kelly was never the sharpest knife in the drawer, and what started clean soon became messy, as two of his partners cut themselves into the action; a determined former Texas Ranger makes tracking Kelly his mission; and Kelly's wife, ever alert to her own self-interest, starts playing both ends against the middle.
The result is a mesmerizing tale set in the first days of the modern FBI, featuring one of the best femmes fatales in history-the Lady Macbeth of Depression-era crime-a great unexpected hero, and some of the most colorful supporting characters in recent crime fiction.
EDITORIAL REVIEW:
** From "one of the best crime writers at work today" (Michael Connelly) comes a fast,f unny, violent new noir crime classic-a Coen Brothers movie come to life. **
He has been compared to Lehane, Ellroy, and Pelecanos, but Ace Atkins's rich, raucous, passionate blend of historical novel and crime story is all his own and never more so than in *Infamous*.
In July 1933, the gangster known as George "Machine Gun" Kelly staged the kidnapping-for-ransom of an Oklahoma oilman. He would live to regret it. Kelly was never the sharpest knife in the drawer, and what started clean soon became messy, as two of his partners cut themselves into the action; a determined former Texas Ranger makes tracking Kelly his mission; and Kelly's wife, ever alert to her own self-interest, starts playing both ends against the middle.
The result is a mesmerizing tale set in the first days of the modern FBI, featuring one of the best femmes fatales in history-the Lady Macbeth of Depression-era crime-a great unexpected hero, and some of the most colorful supporting characters in recent crime fiction.
๐ SIMILAR VOLUMES
### From Publishers Weekly Set in 1933, Atkins's winning fourth history-based novel focuses on two figures who, as the author explains in an introduction, have been undeservedly lost in the shuffle of Depression-era gangsters: George Kelly, who ironically gets saddled with the nickname Machine Gun,
EDITORIAL REVIEW: \*\* From "one of the best crime writers at work today" (Michael Connelly) comes a fast,f unny, violent new noir crime classic-a Coen Brothers movie come to life. \*\* He has been compared to Lehane, Ellroy, and Pelecanos, but Ace Atkins's rich, raucous, passionate
"Compelling...[Atkins] captures the imminent end of the gangster heyday." -*Booklist* In July 1933, the gangster known as George "Machine Gun" Kelly staged the kidnapping-forransom of an Oklahoma oilman. He would live to regret it. Once again Ace Atkins transforms real-life events into riveting,
EDITORIAL REVIEW: \*\* From "one of the best crime writers at work today" (Michael Connelly) comes a fast,f unny, violent new noir crime classic-a Coen Brothers movie come to life. \*\* He has been compared to Lehane, Ellroy, and Pelecanos, but Ace Atkins's rich, raucous, passionate
### From Publishers Weekly Set in 1933, Atkins's winning fourth history-based novel focuses on two figures who, as the author explains in an introduction, have been undeservedly lost in the shuffle of Depression-era gangsters: George Kelly, who ironically gets saddled with the nickname Machine Gun,