β Scribed by Noah Tsika
No coin nor oath required. For personal study only.
An examination of director Todd Haynes and his Bob Dylan biopic.
As the first and only Bob Dylan βbiopic,β Iβm Not There caused a stir when released in 2007. Offering a surreal retelling of moments from Dylanβs life and career, the film is perhaps best known for its distinctive approach to casting, including Cate Blanchett and Marcus Carl Franklin, a Black child actor, as versions of Dylan though none of the characters bear his name. Greenlit by Bob Dylan himself, the film uses Dylanβs music as a score, a triumph for famed queer filmmaker Todd Haynes after encountering issues with copyright in previous projects.
Noah Tsika eloquently characterizes all the ways that Dylan and Haynes harmonize in their methods and sensibilities, interpreting the rule-breaking film as a biography that refuses chronology, disdains factual accuracy, flirts with libel, and cannibalizes Western cinema. Fitting the filmβs inspiration, creation, and reception alongside its continuing afterlife, Tsika examines Dylanβs music in the film through the context of intellectual property, raising questions about who owns artistic material and artistic identities and how such material can be reused and repurposed. Tsikaβs adventurous analysis touches on gender, race, queerness, celebrity, popular culture, and the law, while offering much to Haynes and Dylan fans alike.
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