This study of contemporary literature from the former Yugoslavia (Post-Yugoslavia) follows the ways in which the feminist writing of gender, body, sexuality, and social and cultural hierarchies brings to light the past of socialist Yugoslavia, its cultural and literary itineraries and its dissolutio
Holocaust, War and Transnational Memory: Testimony from Yugoslav and Post-Yugoslav Literature
✍ Scribed by Stijn Vervaet
- Publisher
- Routledge
- Year
- 2017
- Tongue
- English
- Leaves
- 197
- Series
- Memory Studies: Global Constellations
- Edition
- 1
- Category
- Library
No coin nor oath required. For personal study only.
✦ Synopsis
Until now, there has been little scholarly attention given to the ways in which Eastern European Holocaust fiction can contribute to current debates about transnational and transgenerational memory. Yugoslav and post-Yugoslav literary narratives about the Holocaust offer a particularly interesting case because time and again Holocaust memory is represented as intersecting with other stories of extreme violence: with the suffering of the non-Jewish South-Slav population during the Second World War, with the fate of victims of Stalinist terror, and with the victims of ethnic cleansing in the Yugoslav wars of the 1990s.
This book examines the emergence and transformations of Holocaust memory in the socialist Yugoslav and post-Yugoslav eras. It discusses literary texts about the Holocaust by Yugoslav and post-Yugoslav writers, situating their oeuvre in the historical and discursive context in which it emerged and paying attention to its reception at the time. The book shows how in the writing of different generational groups (the survivor generation, the 1.5, and the second and third generations), the Holocaust is a motif for understanding the nature of extreme violence, locally and globally. The book offers comparative studies of several authors as well as readings of the work of individual writers. It uncovers forgotten authors and discusses internationally well-known and translated authors such as Danilo Kiš and David Albahari. By focusing on work by Jewish and non-Jewish authors of three generations, it sheds light on the ethical and aesthetical aspects of the transgenerational transmission of Holocaust memory in the Yugoslav context. As such, this book will appeal to both students and scholars of Holocaust studies, cultural memory studies, literary studies, cultural history, cultural sociology, Balkan studies, and Eastern European politics.
✦ Table of Contents
Holocaust, War and Transnational Memory- Front Cover
Holocaust, War and Transnational Memory
Title Page
Copyright Page
Contents
List of figures
Acknowledgments
Previously published chapters
Copyright permissions
Introduction
Structure of the book
Notes
References
PART I:
The generation of survivors
Chapter 1: Holocaust testimony in socialist Yugoslavia
Introduction
Holocaust remembrance under the sign of “brotherhood and unity”
The Cold Crematorium: the paratext
The Cold Crematorium: the text
Reception of The Cold Crematorium in socialist Yugoslavia
Conclusion
Notes
References
Chapter 2: Staging the Holocaust in socialist Yugoslavia:
Đorđe Lebović’s Holocaust dramas
The Heavenly Squad: the play and the debate
“Viktorija”: justice after Auschwitz?
Notes
References
Chapter 3: Ilija Jakovljević’s poetry of testimony
Introduction
Writing poetry in the camp
Witnessing in poetry
Poetic testimony as a project of address
“In blood is being written the Fifth Gospel” (“Krvlju se piše Evanđelje Peto”) Biblical intertext and testimony in Poetry of Troubled Times
Conclusion
Notes
References
PART II:
The 1.5 generation
Chapter 4: Writing the subject after the Holocaust: Konstantinović’s
Ahasver, or Treatise about a Beer Bottle
Introduction
The legend of Ahasuerus, the Wandering Jew
Ahasver and von Eizen: victim and executioner as inextricable pair
Condemned to eternal speech? Language as the law
How to annul the ban created by language? Writing as an act of testimony
Notes
References
Chapter 5: The Gulag and the Holocaust in Danilo Kiš’s A Tomb for
Boris Davidovich
Introduction
The unreliable narrator of historical metafiction?
The Stalinist camp as paradigm of totalitarian government
Epilogue: The literary affair
Conclusion
Notes
References
PART III: The second and third generations
Chapter 6: Entangled histories: family memories and the representation
of the Holocaust in the work of David Albahari
Introduction
“An uninterrupted free fall down the cliffs of memory”?: Second-generation narration between rememory and postmemory in Bait
“I feel myself existing simultaneously in many places, in various times”: From postmemory to connective memory
“We need so little to imagine another world, don’t we?”: Transgenerational Trauma Transmission in Götz and Meyer
The banality of evil?: Götz and Meyer as ordinary men
Conclusion
Notes
References
Chapter 7: Berlin encounters: the Yugoslav wars of the 1990s through
the lens of the Holocaust
Introduction
Instrumentalizing the Holocaust in (the former) Yugoslavia since the 1980s
Horozović’s Unknown Passer-By in Berlin—the double as vicarious witness: towards a politics of mourning
Ilić’s Berlin Window—giving a voice and a face to the Other
Drndić’s April in Berlin: the reader as implicated subject
Conclusion
Notes
References
Chapter 8: Between local and global politics of memory: Holocaust
remembrance in contemporary Serbian prose fiction and film
Introduction
The IHRA in south-eastern Europe: towards the Europeanization of Holocaust memory in the former Yugoslavia?
Ivan Ivanji’s Man of Ashes: remembering the Holocaust in the shadow of Goethe’s oak
Zoran Penevski’s Less Important Crimes—towards a digital “constellation of self-critical national memories”
Goran Paskaljević’s film When Day Breaks: between the duty to remember and the pitfalls of didacticism
Conclusion
Notes
References
Concluding remarks
Note
References
Index
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