<p>βUltimately, this is a remarkable book, a practical testimonial, and a comprehensive bibliography rolled into one. It is a single, bright sword cut across the various murky green IT topics. And if my mistakes and lessons learned through the green IT journey are any indication, this book will be u
Harnessing Green IT: Principles and Practices
β Scribed by San Murugesan, G. R. Gangadharan
- Publisher
- Wiley
- Year
- 2012
- Tongue
- English
- Leaves
- 433
- Category
- Library
No coin nor oath required. For personal study only.
β¦ Synopsis
Harnessing Green IT: Principles and Practices examines various ways of making computing and information systems greener - environmentally sustainable -, as well as several means of using Information Technology (IT) as a tool and an enabler to improve the environmental sustainability. The book focuses on both greening of IT and greening by IT - complimentary approaches to attaining environmental sustainability. In a single volume, it comprehensively covers several key aspects of Green IT - green technologies, design, standards, maturity models, strategies and adoption -, and presents a clear approach to greening IT encompassing green use, green disposal, green design, and green manufacturing. It also illustrates how to strategically apply green IT in practice in several areas.
π SIMILAR VOLUMES
"Ultimately, this is a remarkable book, a practical testimonial, and a comprehensive bibliography rolled into one. It is a single, bright sword cut across the various murky green IT topics. And if my mistakes and lessons learned through the green IT journey are any indication, this book will be used
βThe spirit of Greek sculpture is synonymous with the spirit of sculpture. It is simple, and therefore defies definitions. We may feel it, but we can not express it. (β¦) βOpen your eyes, study the statues, look, think and look againβ is the precept to all who learn to know Greek sculpture.β
Greek Sculpture is probably the most well known aspect of Greek art, for a contemporary it expresses the most beautiful ideal and plastic perfection. It is the first of the Ancient Arts that looked to free itself from the imitative constraints, of the faithful representation of nature. Only a small