Note continued: Darwin's Nightmare / Grizzly Man -- Boys Don't Cry / Fight Club -- Femme Fatale -- Point of No Return -- A History of Violence -- Summer of Sam -- Passion -- Touch of Evil -- Actress -- Mulholland Drive -- 6.Phoners & Shoe Leather -- Look Back in Arisen Robert Altman's Nashville, 20 Years Later -- Fade to Black: Can the Watkins Belcourt Be Saved? -- Intermission -- Bruce Springsteen and the E Street Band at Bridgestone Arena, 4/17/14 -- Photo Gallery -- 7.Innocence and Experience -- Toy Story 2 -- Son of Rambow -- Little Man Tate -- Akeelah and the Bee -- Pump Up the Volume -- Boyz N the Hood -- Moonrise Kingdom -- Mister Lonely -- 8.That Obscure Object -- Turn Me On, Dammit! -- Afterglow -- The Notorious Bettie Page -- The Piano -- Gloria -- Eyes Wide Shut -- Carol -- 9.A Boot the Size of Nebraska -- Playtime -- Rumble in the Bronx -- Serial Mom -- Jackass: The Movie -- Pulp Fiction -- Wayne's World -- Orlando -- The Fifth Element -- Hot Fuzz;Machine generated contents note: 1.The Nouvelle Vague -- Lola -- Band of Outsiders -- Two English Girls -- Private Fears in Public Places -- Notre Musique -- 2.How the Western Won -- Once Upon a Time in the West -- Four films by Sergio Corbucci -- McCabe & Mrs. Miller -- The Wild Bunch -- The Ballad of Little Jo -- Meek's Cutoff -- 3.Heroes and Anti-Heroes -- Batman Begins -- Le Samourai -- Dragon: The Bruce Lee Story -- Bonnie and Clyde -- Thelma & Louise -- Star Wars: Episode III -- Revenge of the Sith -- 4.Shorts -- Rio Bravo -- Meet Me in St. Louis -- Point Blank -- Taxi Driver -- The Devil's Rejects -- Four films featuring Ray Harryhausen -- Point Break -- The Warriors -- Rock `n' Roll High School -- The Big Lebowski -- 300 -- Swept from the Sea -- The Order of Myths -- I Like It Like That -- Sugar Hill -- Tony Takitani -- The Scent of Green Papaya -- Ikiru -- 5.Twin Cinema / Double Visions -- Full Frontal/Signs -- Singin' in the Rain / Chicago;"Combining a cineaste's deep knowledge of film with a slack-jawed kid's sense of wonder at the medium, Jim Ridley wrote about movies in a way few others could. At the time of his unexpected death in 2016, Ridley was editor-in-chief of the alt-weekly Nashville Scene, the paper where he started his career in 1989, and where he gained a loyal audience with his incisive, wide-ranging reviews. He reveled in the joy and mischief, dwelled on the beauty and the violence and navigated the mythology of cinema with a sharpness and an enduring curiosity that also earned him the respect of his peers around the country. People Only Die of Love in Movies takes its title from a line in the 1964 movie musical The Umbrellas of Cherbourg -- a timeless example of the kind of magic that only film can summon -- and collects 72 of Ridley's film reviews, essays and journalistic works. It spans three decades of his writing and includes selections from the Nashville Scene, Village Voice and Criterion Collection"--;Note continued: 10.Panning for Gold -- Bad Boys II -- Little Miss Sunshine -- Texasville -- The Messenger: The Story of Joan of Arc -- Schindler's List -- 8MM -- 11.Problem Pictures -- Triumph of the Will -- American History X -- Army of Shadows -- The Untold Story of Emmett Louis Till -- Xiu Xiu: The Sent-Down Girl -- Underground -- To Live -- 12.Forever Changes -- After Life -- The Last Picture Show -- Mother and Son -- Daughters of the Dust -- The Long Goodbye: Robert Altman, 1925 -- 2006 -- Taste of Cherry -- The Umbrellas of Cherbourg.