<div>How medieval texts represent and reproduce normative heterosexual identities.</div>
Getting Medieval: Sexualities and Communities, Pre- and Postmodern
β Scribed by Carolyn Dinshaw
- Publisher
- Duke University Press
- Year
- 1999
- Tongue
- English
- Leaves
- 362
- Series
- Series Q
- Category
- Library
No coin nor oath required. For personal study only.
β¦ Synopsis
In her pursuit of historical analyses that embrace the heterogeneity and indeterminacy of sex and sexuality, Dinshaw examines canonical Middle English texts such as the Canterbury Tales and The Book of Margery Kempe. She examines polemics around the religious dissidents known as the Lollards as well as accounts of prostitutes in London to address questions of how particular sexual practices and identifications were normalized while others were proscribed. By exploring contemporary (mis)appropriations of medieval tropes in texts ranging from Quentin Tarantinoβs Pulp Fiction to recent Congressional debates on U.S. cultural production, Dinshaw demonstrates how such modern media can serve to reinforce constrictive heteronormative values and deny the multifarious nature of history. Finally, she works with and against the theories of Michel Foucault, Homi K. Bhabha, Roland Barthes, and John Boswell to show how deconstructionist impulses as well as historical perspectives can further an understanding of community in both pre- and postmodern societies.
This long-anticipated volume will be indispensible to medieval and queer scholars and will be welcomed by a larger cultural studies audience.
β¦ Table of Contents
Contents
Acknowledgments
Introduction Touching on the Past
Chapter One It Takes One to Know One: Lollards, Sodomites, and Their Accusers
Chapter Two Good Vibrations: John/Eleanor, Dame Alys, the Pardoner, and Foucault
Chapter Three Margery Kempe Answers Back
Coda Getting Medieval: Pulp Fiction, Foucault, and the Use of the Past
Notes
Bibliography
Index
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Through a sensitive use of a wide variety of imaginative and didactic texts, Ruth Karras shows that while prostitutes as individuals were marginalized within medieval culture, prostitution as an institution was central to the medieval understanding of what it meant to be a woman. This important work
Through a sensitive use of a wide variety of imaginative and didactic texts, Ruth Karras shows that while prostitutes as individuals were marginalized within medieval culture, prostitution as an institution was central to the medieval understanding of what it meant to be a woman. This important work