Georges Rouault and Material Imagining

✍ Scribed by Jennifer Johnson

• Publisher: Bloomsbury Visual Arts
• Year: 2020
• Tongue: English
• Leaves: 217
• Category: Library

✦ Synopsis

Described as a difficult and dark painter, Georges Rouault’s oeuvre is deeply experimental. Images of the circus emerge from a plethora of chaotic marks, while numerous landscapes appear as if ossified in thick paint. Georges Rouault and Material Imagining approaches Rouault in relation to contemporary theories about making and material, examining how Rouault’s oeuvre constructs a ‘material consciousness’ that departs from other modern painters.
Rouault’s work explodes the genre of painting, drawing upon the residue of Gustave Moreau’s symbolism, the extremities of Fauvism, and the radical theatrical experiments of Alfred Jarry. The repetitions and re-workings at the heart of Rouault’s process defy conventional chronological treatment, and place the emphasis upon the coming-into-being of the work of art. Ultimately, the process of making is revealed as both a search for understanding and a response to the problematic world of the twentieth century. Georges Rouault and Material Imagining offers an innovative critical approach to the questions raised by this difficult modernist.

✦ Table of Contents

Cover
Contents
List of Plates
List of Figures
Acknowledgements
Introduction: Georges Rouault’s Modernism
1 1903–7: Mutilation, Revivification, and Imaginative Play on the Surface
2 The Interwar Years: Materiality, Theatricality, and Social Critique
3 ‘Le métier de peindre’ or Making as Thought: Bergson, Maritain, and Rouault’s Landscapes
4 Light Thickens: Theology, Phenomenology, and the Veronica
5 Material Imagining: Matter, Materiality, and Modes of Being
Select Bibliography
Index