In movies about landmark historical events such as wars, occupations, or migrations or historically important personalities, there is an unspoken set of rules for how gender ought to be expressed. Often condemned by critics for being excessively emotional or pathetic, films by female directors featu
Gendering History on Screen: Women Filmmakers and Historical Films
โ Scribed by Julia Erhart
- Publisher
- I.B.Tauris
- Year
- 2018
- Tongue
- English
- Leaves
- 224
- Category
- Library
No coin nor oath required. For personal study only.
โฆ Synopsis
Movies about significant historical personalities or landmark events like war seem to be governed by a set of unspoken rules for the expression of gender. Films by female directors featuring female protagonists appear to receive particularly harsh treatment and are often criticised for being too 'emotional' and incapable of expressing 'real' history. Through her examination of films from the United States, Europe, Australia and elsewhere, Julia Erhart makes powerful connections between the representational strategies of women directors such as Kathryn Bigelow, Ruth Ozeki and Alexandra von Grote and their concerns with exploring the past through the prism of the present. She also compellingly explores how historiographical concepts like valour, memory, and resistance are uniquely re-envisioned within sub-genres including biopics, historical documentaries, Holocaust movies, and movies about the 'War on Terror'. Gendering History on Screen will make an invaluable contribution to scholarship on historical film and women's cinema.
๐ SIMILAR VOLUMES
In movies about landmark historical events such as wars, occupations, or migrations or historically important personalities, there is an unspoken set of rules for how gender ought to be expressed. Often condemned by critics for being excessively emotional or pathetic, films by female directors featu
<p> This book is the first major study of Canadian women filmmakers since the groundbreaking <i>Gendering the Nation</i> (1999). <i>The Gendered Screen</i> updates the subject with discussions of important filmmakers such as Deepa Mehta, Anne Wheeler, Mina Shum, Lynne Stopkewich, Lรฉa Pool, and Patri
People have been experimenting with different ways to write history for 2,500 years, yet we have experimented with film in the same way for only a century. Noted professor and historian Natalie Zemon Davis, consultant for the film The Return of Martin Guerre, argues that movies can do much more than
<p><span>In this pathbreaking study of the gendering of the practices of history, Bonnie Smith resurrects the amateur history written by women in the nineteenth century--a type of history condemned as trivial by "scientific" male historians. She demonstrates the degree to which the profession define