๐”– Scriptorium
โœฆ   LIBER   โœฆ

๐Ÿ“

Gauguin's Paradise Lost

โœ Scribed by Wayne Andersen


Publisher
Editions Fabriart, Ltd.
Year
2013
Tongue
English
Leaves
424
Edition
Reprint
Category
Library

โฌ‡  Acquire This Volume

No coin nor oath required. For personal study only.

โœฆ Synopsis


A new edition of the 1971 classic that for weeks was a New York Times โ€œBook of the Times.โ€ Reviewed extensively and favorably across the US and the UK, this book soon became out of print. This new edition is more richly illustrated with reproductions interlaced with the text, and has an expanded first chapter to take into account the Peruvian Nobel laureate, Mario Vargas Llosaโ€™s book The Way to Paradise. Gauguin has been widely admired and emulated as an artist who discarded traditional pictorial values for an intensely personal approach to color and form. Yet the documented accounts of his life and the richly symbolic content of his work indicate that Gauguin could escape neither himself nor his times. In this searching biography, Andersen dispels at last the romantic haze surrounding Gauguinโ€™s life and career, presenting us with a realistic psychological portrait and a completely original and consistent study of the artistโ€™s intricate use of symbolism.

๐Ÿ“œ SIMILAR VOLUMES


Gauguin's Paradise Lost
โœ Gauguin, Paul;Andersen, Wayne V ๐Ÿ“‚ Library ๐Ÿ“… 2013 ๐Ÿ› Editions Fabriart ๐ŸŒ English

Machine generated contents note: I. Geography of Gauguin's Mind -- II. Wayward Romantism -- III. Immunization -- IV. Terrestrial Imperatives -- V. Deciduous Paradise -- VI. Volcanics -- VII. At the Black Rocks -- VIII. Calvary of the Maiden -- IX. The Fallen and the Reborn -- X. Bon Voyage, Monsieur

Asimov's Annotated Paradise Lost
โœ John Milton, Isaac Asimov (editor) ๐Ÿ“‚ Library ๐Ÿ“… 1974 ๐Ÿ› Doubleday ๐ŸŒ English

Why does Miltonโ€™s God seem selfish? Is Satan the hero of โ€œParadise Lostโ€? Why has the serpent come to represent evil? Paradise Lost has always been difficult reading. It is packed with allusions to the Bible, classical mythology, and historyโ€”allusions that are, for the most part, lost on the twen