<p><span>This volume explores the dynamics of human adaptation to social, political, ideological, economic, and environmental factors in Mesoamerica and includes a wide array of topics, such as the hydrological engineering behind Teotihuacanβs layout, the complexities of agriculture and sustainabili
Faking Ancient Mesoamerica
β Scribed by Nancy L. Kelker, Karen O. Bruhns
- Publisher
- Routledge
- Year
- 2016
- Tongue
- English
- Leaves
- 254
- Category
- Library
No coin nor oath required. For personal study only.
β¦ Synopsis
Crystal skulls, imaginative codices, dubious Olmec heads and cute Colima dogs. Fakes and forgeries run rampant in the Mesoamerican art collections of international museums and private individuals. Authors Nancy Kelker and Karen Bruhns examine the phenomenon in this eye-opening volume. They discuss the most commonly forged classes and styles of artifacts, many of which were being duplicated as early as the 19th century. More important, they describe the system whereby these objects get made, purchased, authenticated, and placed in major museums as well as the complicity of forgers, dealers, curators, and collectors in this system. Unique to this volume are biographies of several of the forgers, who describe their craft and how they are able to effectively fool connoisseurs and specialists. An important, accessible introduction to pre-Columbian art fraud for archaeologists, art historians, and museum professionals alike. A parallel volume by the same authors discusses fakes in Andean archaeology.
π SIMILAR VOLUMES
The book is the result of symposium ANT. 8 of the 46th International Congress of Americanists, Amsterdam 1988.
<p><span>In </span><span>Unseen Art</span><span>, Claudia Brittenham unravels one of the most puzzling phenomena in Mesoamerican art history: why many of the objects that we view in museums today were once so difficult to see. She examines the importance that ancient Mesoamerican people assigned to
<p>In <i>Unseen Art</i>, Claudia Brittenham unravels one of the most puzzling phenomena in Mesoamerican art history: why many of the objects that we view in museums today were once so difficult to see. She examines the importance that ancient Mesoamerican people assigned to the process of making and
Frontis. (in color) + xiv + 251 pp. with 324 illus. in color, 4to.