In der Blรผtezeit der griechischen Tragรถdie musste jeder der drei Dramatiker, die an den Groรen Dionysien, dem bedeutendsten Dionysosfest Athens, im Rahmen des Tragรถdienwettbewerbs um den Sieg kรคmpften, nicht nur drei Tragรถdien prรคsentieren, sondern auch ein heiteres Nachspiel, das nach den Satyrn, d
Euripides: Cyclops
โ Scribed by Richard Hunter, Rebecca Laemmle
- Publisher
- Cambridge University Press
- Year
- 2020
- Tongue
- English
- Leaves
- 276
- Series
- Cambridge Greek and Latin Classics
- Category
- Library
No coin nor oath required. For personal study only.
โฆ Synopsis
Euripides' Cyclops is the only example of Attic satyr-drama which survives intact. It is a brilliant dramatisation of the famous story from Homer's Odyssey of how Odysseus blinded the Cyclops after making him drunk. The play has much to teach us, not just about satyr-drama, but also about the reception and adaptation of Homer in classical Athens; the brutal savagery of the Homeric monster is here replaced by an ironised presentation of Athenian social custom. Problems of syntax, metre and language are fully explained, and there is a sophisticated literary discussion of the play. This edition will be of interest to advanced undergraduates and graduate students studying Greek literature, as well as to scholars.
๐ SIMILAR VOLUMES
With its ribald chorus of ithyphallic, half-man / half-horse creatures, satyr drama was a peculiar part of the Athenian theatrical experience. Performed three times each year after a trilogy of tragedies, it was an integral part of the 5th- and 4th-century City Dionysia, a large festival in honour o
<p>With its ribald chorus of ithyphallic, half-man / half-horse creatures, satyr drama was a peculiar part of the Athenian theatrical experience. Performed three times each year after a trilogy of tragedies, it was an integral part of the 5th- and 4th-century City Dionysia, a large festival in honou
In Athens, during the fifth-century BCE, tragedians such as Aeschylus, Sophocles, and Euripides staged three successive tragedies at the yearly festival in honor of the god Dionysus, and after each trilogy, they presented a fourth performance, a satyr play. With their ribald chorus of ithyphallic, h
This new volume represents forty years of scholarship. Of the twenty papers collected here, thirteen explore tragedy in general and Euripides in particular, but with emphasis on textual questions โ transmission, interpretation, verbal criticism โ and dramatic form. The other seven evaluate important