National rules on immigration and asylum have been transformed in recent years. EU Directives and Regulations, including the relevant case law of the European Court of Justice, have become ever more important - for those working in ministries, immigration authorities, national courts, academia, non-
EU Copyright Law: A Commentary
β Scribed by Irini Stamatoudi and Paul Torremans
- Publisher
- Edward Elgar Publishing
- Year
- 2021
- Tongue
- English
- Leaves
- 1244
- Series
- Elgar Commentaries
- Edition
- 2
- Category
- Library
No coin nor oath required. For personal study only.
β¦ Synopsis
This significantly revised and updated second edition addresses the rapid development of EU copyright law in relation to the advancement of new technologies, the need for a borderless digital market and the considerable number of EU legal instruments enacted as a result. Taking a comparative approach, the Commentary provides comprehensive coverage and in-depth commentary on each of the EU legal instruments and policies, both from an EU and an international perspective. Alongside full legislative analysis and article-by-article commentary, the Commentary illustrates the underlying basic principles of free movement and non-discrimination and provides insights into the influence of copyright on other areas of EU policy, including telecoms and bilateral trade agreements.
β¦ Table of Contents
Front Matter
Copyright
CONTENTS
EXTENDED CONTENTS
CONTRIBUTORS
TABLE OF CASES
TABLE OF LEGAL INSTRUMENTS
INTRODUCTION
Part I GENERAL PRINCIPLES OF EUROPEAN COPYRIGHT
1 IS THERE A CONCEPT OF EUROPEAN COPYRIGHT LAW? HISTORY, EVOLUTION, POLICIES AND POLITICS AND THE ACQUIS COMMUNAUTAIRE
2 THE PRINCIPLE OF NON-DISCRIMINATION
3 THE PRINCIPLE OF FREE MOVEMENT OF GOODS: COMMUNITY EXHAUSTION AND PARALLEL IMPORTS
4 THE ESSENTIAL FACILITIES PRINCIPLE AND OTHER ISSUES OF COMPETITION
Part II THE EU DIRECTIVES AND REGULATIONS
5 THE SOFTWARE DIRECTIVE
6 THE RENTAL AND LENDING RIGHTS DIRECTIVE
7 THE SATELLITE AND CABLE DIRECTIVE
8 THE TERM DIRECTIVE
9 THE DATABASE DIRECTIVE
10 THE RESALE RIGHT DIRECTIVE
11 THE INFORMATION SOCIETY DIRECTIVE
12 THE ENFORCEMENT DIRECTIVE
13 THE ORPHAN WORKS DIRECTIVE
14 THE COLLECTIVE RIGHTS MANAGEMENT DIRECTIVE
15 THE PORTABILITY REGULATION
16 THE MARRAKESH TREATY ON CERTAIN PERMITTED USES FOR THE BENEFIT OF BLIND, VISUALLY IMPAIRED AND PRINT-DISABLED PERSONS
17 THE DIGITAL SINGLE MARKET DIRECTIVE
18 ACCESS AND RE-USE OF PUBLIC SECTOR INFORMATION IN A COPYRIGHT PERSPECTIVE
19 A UNITED STATES PERSPECTIVE ON DIGITAL SINGLE MARKET DIRECTIVE ARTICLE 17
20 THE NETCAB DIRECTIVE
Part III EU POLICIES AND ACTIONS
21 THE EU POLICIES AND ACTIONS IN THE FIGHT AGAINST PIRACY
22 BRINGING EUROPEβS CULTURAL HERITAGE ONLINE: INITIATIVES AND CHALLENGES
23 FROM A βDIGITAL AGENDA FOR EUROPEβ, TO A βDIGITAL SINGLE MARKETβ, TO A βEUROPE FIT FOR THE DIGITAL AGEβ: A DECADE OF EUROPEAN UNION COPYRIGHT POLICY IN THE SHADOW OF CRISES
24 INTELLECTUAL PROPERTY AND THE EU RULES ON PRIVATE INTERNATIONAL LAW: MATCH OR MISMATCH?
25 THE EXPORT OF EU COPYRIGHT LAW: THE EXAMPLE OF THE FREE TRADE AGREEMENTS
Part IV PRESENT AND FUTURE OF COPYRIGHT IN THE EUROPEAN UNION
26 THE EU STANCE IN INTERNATIONAL MATTERS
27 THE ROLE OF THE COURT OF JUSTICE IN THE DEVELOPMENT OF EU COPYRIGHT LAW: AN EMPIRICAL EXPERIENCE
28 TOWARDS A EUROPEAN COPYRIGHT LAW: TERRITORIALITY AND LIMITATIONS AND EXCEPTIONS AS MAJOR OUTSTANDING ISSUES
29 ADVOCATING AN EU COPYRIGHT TITLE
30 CONCLUSION
INDEX
π SIMILAR VOLUMES
<p><P>This book is the first comprehensive exploration of the legal framework of EU digital copyright law from the perspective of the βend-userβ. This multi-faceted actor of the digital environment is a consumer of copyrighted works, a file-sharer of these works on the Internet, and a possible follo
<span>This book draws on the contents of the Ph. D. dissertation I wrote and defended at the European University Institute (EUI) of Florence. At the beginning of my - search, I did not expect to write a book on the intersection between copyright law and digital technologies and, in particular, on th
<p><P>This book is the first comprehensive exploration of the legal framework of EU digital copyright law from the perspective of the βend-userβ. This multi-faceted actor of the digital environment is a consumer of copyrighted works, a file-sharer of these works on the Internet, and a possible follo