Early-Twentieth-Century Frontier Dramas on Broadway: Situating the Western Experience in Performing Arts (Palgrave Studies in Theatre and Performance History)

✍ Scribed by Richard Wattenberg

• Publisher: Palgrave Macmillan
• Year: 2011
• Tongue: English
• Leaves: 281
• Category: Library

✦ Synopsis

Frontier dramas were among the most popular and successful of early-twentieth-century Broadway type plays. The long runs of dramas such as Augustus Thomas's Arizona (1900), Owen Wister and Kirke La Shelle's The Virginian (1904), Edwin Milton Royle's The Squaw Man (1905), David Belasco's The Girl of the Golden West (1905), William Vaughn Moody's The Great Divide (1906), and Rachel Crothers's The Three of Us (1906) not only indicate the popularity of these plays but also tell us that these plays offered views about the frontier that original audiences could and did embrace. By focusing on how these and other plays represent the intersection of period ideas about the nature of the frontier process on the one hand, with prevailing dramatic conventions and theatre production practices, on the other, Wattenberg sets the frontier perspective offered in these theatrical works within the larger context of late nineteenth and early twentieth century American culture. Despite differences in how these plays translate the frontier experience into stage action, as a group they delineate the parameters of a coalescing frontier discourse that shaped and has continued to shape American art and thought. 

✦ Table of Contents

Cover......Page 1
Title......Page 4
Copyright......Page 5
Dedication......Page 6
Contents......Page 8
List of Images......Page 10
Acknowledgments......Page 12
Introduction......Page 14
Part I The Axes of Analysis: Frontier Western Discourse and Theater Practice......Page 32
1 Frontier Western Discourse at the Turn of the Nineteenth to the Twentieth Century......Page 34
2 The Turn- of- the- Century American Theater Context......Page 66
Part II The Plays......Page 94
3 Discipline and Spontaneity: Clyde Fitch’s The Cowboy and the Lady and Augustus Thomas’s Arizona......Page 96
4 Drama from Novels: John Ermine of the Yellowstone and The Virginian......Page 122
5 Variations on the Frontier Myth: Edwin Milton Royle’s The Squaw Man and David Belasco’s The Girl of the Golden West......Page 154
6 From Melodrama to Realism: William Vaughn Moody’s The Great Divide and Rachel Crothers’s The Three of Us......Page 182
Conclusion......Page 214
Notes......Page 222
Index......Page 272