Oscillating between the majesty of the Greco-Byzantine tradition and the modernity predicted by Giotto, Early Italian Painting addresses the first important aesthetic movement that would lead to the Renaissance, the Italian Primitives. Trying new mediums and techniques, these revolutionary artists n
Early Italian Painting to 1400
β Scribed by Robert Oertel
- Publisher
- Frederick A. Praeger
- Year
- 1966
- Tongue
- English
- Leaves
- 384
- Category
- Library
No coin nor oath required. For personal study only.
β¦ Synopsis
The glory of Italian Renaissance art has overshadowed the work of earlier Italian masters. In the past century, a great number of panel paintings and frescoes of extraordinary importance have come to light, and these masterpieces reveal a hitherto unknown art of outstanding richness. In Early Italian Painting, art historian Robert Oertel, director of the picture gallery of the State Museum in Berlin-Dahlem, gives a complete account of Italian painting from the Dark Ages to the threshold of the Renaissance. Beginning with the earliest examples in the fifth to seventh centuries, he advances to the monumental works of the eleventh centuryβ such as SantAngelo in Formisβand the development of panel painting in the following two centuries. The major part of the book concentrates on Cimabue, Duccio, Simone Martini, the Lorenzettis, and, above all, Giotto.
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Vacillating between the majesty of the Greco-Byzantine heritage and the modernity forecasted by Giotto, Early Italian painting summarises the first steps that lead to the Renaissance. Trying out new mediums, those first artists left frescoes for removable panels. If the sacred faces shock us novices
<span>Painted cityscapes have always captivated the viewers of medieval works of art. To this day scholars are mesmerised by their capacity to mirror the urban context from which they sprang, combined with their ability to symbolize a more abstract world view, religious idea or social ideal. Especia