The eighteenth and nineteenth centuries saw both the consolidation of American print culture and the establishment of an African American literary tradition, yet the two are too rarely considered in tandem. In this landmark volume, a stellar group of established and emerging scholars ranges over per
Early African American Print Culture
β Scribed by Lara Langer Cohen (editor); Jordan Alexander Stein (editor)
- Publisher
- University of Pennsylvania Press
- Year
- 2012
- Tongue
- English
- Leaves
- 430
- Category
- Library
No coin nor oath required. For personal study only.
β¦ Synopsis
Early African American Print Culture presents seventeen original essays that demonstrate how the study of African American print culture might enrich the study of print culture, while at the same time expanding the terrain of African American literature beyond authorship to editing, illustration, printing, circulation, and reading.
Early African American Print Culture presents seventeen original essays that demonstrate how the study of African American print culture might enrich the study of print culture, while at the same time expanding the terrain of African American literature beyond authorship to editing, illustration, printing, circulation, and reading.
β¦ Table of Contents
Contents
Introduction. Early African American Print Culture
PART I. Vectors of Movement
chapter 1. The Print Atlantic: Phillis Wheatley, Ignatius Sancho, and the Cultural Signifi cance of the Book
Chapter 2. The Unfortunates: What the Life Spans of Early Black Books Tell Us About Book History
Chapter 3. Frances Ellen Watkins Harper and the Circuits of Abolitionist Poetry
Chapter 4. Early African American Print Culture and the American West
PART II. Racialization and Identity Production
Chapter 5. Apprehending Early African American Literary History
Chapter 6. Black Voices, White Print: Racial Practice, Print Publicity, and Order in the Early American Republic
Chapter 7. Slavery, Imprinted: Th e Life and Narrative of William Grimes
Chapter 8. Bottles of Ink and Reams of Paper: Clotel, Racialization, and the Material Culture of Print
PART III. Adaptation, Citation, Deployment
Chapter 9. Notes from the State of Saint Domingue: Th e Practice of Citation in Clotel
Chapter 10. The Canon in Front of Th em: African American Deployments of βTh e Charge of the Light Brigadeβ
Chapter 11. Another Long Bridge: Reproduction and Reversion in Hagarβs Daughter
Chapter 12. βPhotographs to Answer Our Purposesβ: Repre sen ta tions of the Liberian Landscape in Colonization Print Culture
Chapter 13. Networking Uncle Tomβs Cabin; or, Hyper Stowe in Early African American Print Culture
PART IV. Public Performances
Chapter 14. The Lyric Public of Les Cenelles
Chapter 15. Imagining a State of Fellow Citizens: Early African American Politics of Publicity in the Black State Conventions
Chapter 16. βKeep It Before the Peopleβ: The Pictorialization of American Abolitionism
Chapter 17. John Marrant Blows the French Horn: Print, Per for mance, and the Making of Publics in Early African American Literature
Notes
Contributors
Index
Acknowledgments
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