<p>In <i>Dramatic Dialogue</i>, Atlas and Aron develop the metaphors of drama and theatre to introduce a new way of thinking about therapeutic action and therapeutic traction. This model invites the patient’s many self-states and the numerous versions of the therapist’s self onto the analytic stage
Dramatic Dialogue: Contemporary Clinical Practice
✍ Scribed by Galit Atlas, Lewis Aron
- Publisher
- Routledge
- Year
- 2017
- Tongue
- English
- Leaves
- 195
- Series
- Relational Perspectives Book Series
- Edition
- 1
- Category
- Library
No coin nor oath required. For personal study only.
✦ Synopsis
In Dramatic Dialogue, Atlas and Aron develop the metaphors of drama and theatre to introduce a new way of thinking about therapeutic action and therapeutic traction. This model invites the patient’s many self-states and the numerous versions of the therapist’s self onto the analytic stage to dream a mutual dream and live together the past and the future, as they appear in the present moment. The book brings together the relational emphasis on multiple self-states and enactment with the Bionian conceptions of reverie and dreaming-up the patient.
The term Dramatic Dialogue originated in Ferenczi’s clinical innovations and refers to the patient and therapist dramatizing and dreaming-up the full range of their multiple selves. Along with Atlas and Aron, readers will become immersed in a Dramatic Dialogue, which the authors elaborate and enact, using the contemporary language of multiple self-states, waking dreaming, dissociation, generative enactment, and the prospective function.
The book provides a rich description of contemporary clinical practice, illustrated with numerous clinical tales and detailed examination of clinical moments. Inspired by Bion’s concept of "becoming-at-one" and "at-one-ment," the authors call for a return of the soul or spirit to psychoanalysis and the generative use of the analyst’s subjectivity, including a passionate use of mind, body and soul in the pursuit of psychoanalytic truth. Dramatic Dialogue will be of great interest to all psychoanalysts and psychotherapists.
✦ Table of Contents
Dramatic Dialogue- Front Cover
Dramatic Dialogue
Title Page
Copyright Page
Dedication
Contents
Acknowledgements
Chapter 1: Generative enactments
Ferenczi’s clinical innovations
Enactment
The affirmative clinical attitude and enactment
Generative enactment in action
Notes
Chapter 2: The prospective function
Cooking a dream
From fatedness to destiny
Enactment as a rehearsal for the future
Notes
Chapter 3: Dramatic dialogues
Description is not prescription
Sándor Ferenczi: psychoanalysis as play
Clara Thompson and Izette de Forest
Fire in the theater
Freud’s and Jung’s self-analyses
The theaters on the couch
Dramatology
The drama of the field: Bleger’s dramatic point of view
Notes
Chapter 4: Therapeutic action and therapeutic traction
Stephen Mitchell’s clinical outbursts
Notes
Chapter 5: The truth of the session
Life as a dream
Good and bad objects/new and old objects
Luca and the wine cellar
Power struggles and homosexual anxiety
Chapter 6: Theatrical engagement
Splitting
Interview from 1993 at the National Institute for the Psychotherapies (NIP)
Cigars and electric chairs
Searles’ use of his subjectivity as an analyst
Notes
Chapter 7: At-one-ment, mutual vulnerability, and co-suffering
The dancing party
Pain and suffering: Body and spirit
Thank you for holding me
Notes
Chapter 8: The prequel
Jung dreaming his patient
Lovers and splitting
“All you need is love”
Notes
References
Index
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