From Publishers Weekly
Starred Review. Hart surpasses his bestselling debut, The King of Lies (2006), with his richly atmospheric second novel, which offers a tighter plot, more adroit pacing and less angst. Five years earlier, Adam Chase was arrested for murder, largely on the basis of his stepmother's sworn testimony against him. He was acquitted, but nearly everyone, including his father, still thinks he did it, and Adam's deep bitterness has kept him away from home ever since. Now, at the request of a childhood friend, he's back in Salisbury, N.C., where all the old demons still reside and new troubles await. The almost Shakespearean snarl of family ties is complicated by a very modern struggle between economic progress and love for the land, between haves and have-nots. Throughout, Hart expertly weaves his main theme: that by their freedom of choice, humans are capable of betrayal but also of forgiveness and redemption. This book should settle once and for all the question of whether thrillers and mysteries can also be literature. (Oct.)
From Bookmarks Magazine
John Harts 2006 debut, The King of Lies ( Selection Sept/Oct 2006), earned an Edgar nomination for Best First Novel. Most reviewers agree that his sophomore effort is a worthy successor. The plot moves energetically through interesting terrain: a southern county torn apart by the possibility of easy wealth, a family ruptured by suspicion, and a community that despises the books protagonist. The New York Times criticized Hart for overblown writing and stale imagery but grudgingly praised the storys vigorous plot and feverish pace. With Down River, Hart garners comparisons to Raymond Chandler, John Grisham, and Scott Turow. This illustrious list should be recommendation enough for most readers.
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