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Documentary Screens: Non-Fiction Film and Television

✍ Scribed by Keith Beattie


Publisher
Palgrave Macmillan
Year
2004
Tongue
English
Leaves
285
Category
Library

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✦ Synopsis


Documentary productions encompass remarkable representations of surprising realities. How do documentaries achieve their ends? What types of documentaries are there? What factors are implicated in their production? Such questions animate this engaging study. Documentary Screens provides a comprehensive and critical introduction to the formal features and histories of central categories of documentary film and television. Among the categories examined are autobiographical, indigenous and ethnographic documentary, compilation films, direct cinema and cinema verite and television documentary journalism. The book also considers recent so-called popular factual entertainment and the future of documentary film, television and new media. This provocative and accessible analysis situates wide-ranging examples from each category within the larger material forces which impact on documentary form and content. The important connection between form, content, and context explored in the book constitutes a new and lively ''documentary studies'' approach to documentary representation.

✦ Table of Contents


Cover......Page 1
Contents......Page 8
Acknowledgements......Page 9
Introduction......Page 10
1 β€˜Believe Me, I’m of the World’: Documentary Representation......Page 19
2 Men with Movie Cameras: Flaherty and Grierson......Page 35
3 Constructing and Contesting Otherness: Ethnographic Film......Page 53
4 Decolonizing the Image: Aboriginal Documentary Productions......Page 72
5 The Truth of the Matter: CinΓ©ma VΓ©ritΓ© and Direct Cinema......Page 92
6 The Camera I: Autobiographical Documentary......Page 114
7 Finding and Keeping: Compilation Documentary......Page 134
8 The Fact/Fiction Divide: Drama-Documentary and Documentary Drama......Page 155
9 The Evening Report: Television Documentary Journalism......Page 170
10 Up Close and Personal: Popular Factual Entertainment......Page 191
11 The Burning Question: The Future of Documentary......Page 213
Conclusion......Page 226
Appendix: Screenings and Additional Resources......Page 228
Notes......Page 246
Bibliography......Page 259
B......Page 278
C......Page 279
F......Page 280
I......Page 281
N......Page 282
R......Page 283
T......Page 284
Y......Page 285


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