## Abstract This article covers a methodology for evaluating the effectiveness of cleaning two Russian icons. The icons belong to a group of five from the same iconographic school, dating from the 16th to 17th centuries. An integrated and complementary approach to varnish and overpaint removal invo
Development of the idea of simple colors in the 16th and early 17th centuries
β Scribed by Rolf G. Kuehni
- Publisher
- John Wiley and Sons
- Year
- 2007
- Tongue
- English
- Weight
- 243 KB
- Volume
- 32
- Category
- Article
- ISSN
- 0361-2317
No coin nor oath required. For personal study only.
β¦ Synopsis
Abstract
The development of the idea of simple or fundamental colors in Western culture from classical Greece to the early 17th century is shown, with particular emphasis on writers in the 16th and early 17th centuries. Four streams of thought are found: (1) Aristotle's seven colors, congruent with seven tastes and seven tones, thus symptomatic of an underlying general harmony; (2) Fourβbasicβcolor sequences where colors are emblematic of the four classical elements; (3) Spectral sequences; (4) Three simple chromatic colors between white and black, based on colorant mixture. In the late 16th century sevenβcolor sequences came to represent categorical sequences, in addition to shorter fundamental color sequences. Β© 2007 Wiley Periodicals, Inc. Col Res Appl, 32, 92 β 99, 2007
π SIMILAR VOLUMES
## Abstract A concise review of concepts dealing with the genesis of granite in the late 18th, 19th, and early 20th centuries is given. Arguments are provided for the repeated recurrence of genetic concepts in an altered form which were separated by periods in which a rival concept was dominant. Th
## Abstract The 17^th^ century is considered as the cradle of modern natural sciences and technology as well as the begin of the age of enlightenment with the invention of analytical geometry by R. Descartes (1637), infinitesimal calculus by I. Newton (1668) and G. W. Leibniz (1674), and based on t