Containing detailed readings of plays by Shakespeare, Marlowe and Middleton, as well as poetry and prose, this book provides a major historical and critical reassessment of the relationship between early modern Protestantism and drama. Examining the complex and painful shift from late medieval relig
Desire and Dramatic Form in Early Modern England
β Scribed by Judith Haber
- Publisher
- Cambridge University Press
- Year
- 2009
- Tongue
- English
- Leaves
- 226
- Edition
- 1
- Category
- Library
No coin nor oath required. For personal study only.
β¦ Subjects
ΠΠΈΡΠ΅ΡΠ°ΡΡΡΠΎΠ²Π΅Π΄Π΅Π½ΠΈΠ΅;ΠΠ·ΡΡΠ΅Π½ΠΈΠ΅ Π·Π°ΡΡΠ±Π΅ΠΆΠ½ΠΎΠΉ Π»ΠΈΡΠ΅ΡΠ°ΡΡΡΡ;ΠΠΈΡΠ΅ΡΠ°ΡΡΡΠ° ΠΠ½Π³Π»ΠΈΠΈ;
π SIMILAR VOLUMES
Drawing on the generic and mythic strength of comedy and the theories of Bakhtin, Bergson, and Hobbes, this book identifies the radical nature of early modern English comedy. The satirical comedic actions that shape the "Shepherds' Play," Thomas Dekker's pamphlets, and the comic dramas of Marston, M
Drawing upon recent scholarship in Renaissance studies regarding notions of the body, political, physical and social, this study examines how the satiric tragedians of the English Renaissance employ the languages of sex - including sexual slander, titillation, insinuation and obscenity - in the serv
Early modern playgoers were avid consumers of voyage drama. When they entered the playhouse they engaged with the players in a collaborative form of "mind-travelling," and the result was an experience of stage-travel that was predicated on pleasure. This book investigates the pleasures of vicarious
Early Modern England was obsessed with the 'turke'. Following the first Ottoman siege of Vienna in 1529 the printing presses brought endless prayer sheets, pamphlets and books concerning this 'infidel' threat before the public in the vernacular for the first time. As this body of knowledge increased