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Curation in the Age of Platform Capitalism: The Value of Selection, Narration, and Expertise in New Media Cultures (Routledge Studies in Media and Cultural Industries)

✍ Scribed by Panos Kompatsiaris


Publisher
Routledge
Year
2024
Tongue
English
Leaves
177
Edition
1
Category
Library

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✦ Synopsis


This book employs the figure of curation―the selection, arrangement, and display of objects, concepts, and things―to explore the cultures of platform capitalism. Considering its rise in the global art world as an authorial, meaning-making activity and an organizational-entrepreneurial endeavour, it looks at curation as the interweaving of innovative concepts, elaborate storytelling, and trusted experts leaking out from galleries to hashtags.

Its logic encompasses diverse spheres ranging from high-brow art and the fashion world to low-brow experience economies and economies of authenticity, from confidence cultures and relationship gurus to algorithmic spectacles. More than an economy, “curate and be curated” is a diffused imperative amidst the disorienting spread of information that digital platforms enable: What to post, what to wear, what to eat, what friends to have, what music to hear, what films to watch, what places to visit, what socks to choose, and what opinion to have about serious issues like climate change, military coups, AI, genetics, space colonization, and cryonics, or everyday issues like football, fashion, and diet. Drawing on critical platform theory, material culture, and multi-sited ethnography, the book examines curated worlds of coolness, authenticity, and inspiration, including the luxury fashion brands Vetements and Balenciaga, Airbnb food experiences, and the figure of the life coach. The book argues that the curatorial imperative endorses an aspirational class imaginary and the idea that handling self-narratives is a strategic means of socialization that can assist upward mobilities as well as neoliberal narratives of well-being, promotion, and success.

This book will be of key interest to academics, researchers, and advanced undergraduate and graduate students in the areas of cultural studies, media studies, communication studies, curating, contemporary art theory, critical management studies, and art history, as well as to more general readers interested in new media, platforms, and digital culture.

✦ Table of Contents


Cover
Half Title
Series Information
Title Page
Copyright Page
Table of Contents
List of Figures
List of Table
Acknowledgements
Part 1 Homo Curatorius
1 Introducing the Curatorial Imperative
1.1 Do Socks Have Personalities?
1.2 Theory On Platforms, Cultures, and Curating
1.3 Methods and Perspectives
1.4 Chapter Breakdown
Notes
References
2 From Galleries to Hashtags: The Aspirational Imaginary of Curating
2.1 Everyone Is a Curator
2.2 Curators From Ancient Rome to Modern Museums
2.3 Expertise, Value, and Materiality in Museum Spaces
2.4 The Rise of the “Curator as Author” in Contemporary Art
2.5 “Organize Your Passion”, Or Curating as Business
2.6 Conclusions
Notes
References
3 Curating and Platforms
3.1 Cute Animals
3.2 Data, Reflexivity, and Communication Unbound
3.3 Platform Capitalism as a Productive Model
3.4 The Gig Economy and Aspirational Labor
3.5 Curated Consumption and the Aspirational Class
3.6 Conclusions
Notes
References
Part 2 Cultures of Platform Capitalism
4 Cool Is in the Air: Atmospheres of Banal Luxury in Digital Warhol Economies
4.1 The Banal Luxury Complex
4.2 Warhol Economies and Cool Atmospheres
4.3 “It Is Ugly, That’s Why We Like It”, Or Privileged Populism in High Fashion
4.4 Highbrow Selfies in Vetements Instagram
4.5 Poor Chic, the Security Uniform, and the Damaged Sneakers
4.6 Conclusions
Notes
References
5 The Babushka–Nonna Experience: Curated Authenticities and the Aspirational Gastronomical Imaginary
5.1 Biennials and Babushkas
5.2 Experiences and Authenticity in Business Literature
5.3 Aspirational Food and the Gastronomical Imaginary
5.4 “Handmade Pasta With Italian Grandma”
5.5 Anarchist Foodies
5.6 Conclusions
Notes
References
6 “A Person Without Vision Will Perish”: Curating Mindsets, Micro-Celebrities, and Intimacies in Life Coaching
6.1 You Know How Much I Love Paris!
6.2 The “Self” and Liberal Governance
6.3 Digital Gurus, Micro-Celebrities, and the Claim to Charisma
6.4 Curating Lives of Discipline, Confidence, and Resilience
6.5 Curating Masculinities in Sexuality and Intimacy Coaching
6.6 Conclusion
Notes
References
7 Who to Be, How to Appear, and What to Consume: Concluding Thoughts
Note
References
Disclaimer
Index


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