โ Scribed by Cynthia Ozick
No coin nor oath required. For personal study only.
In a collection that includes new essays written explicitly for this volume, one of our sharpest and most influential critics confronts the past, present, and future of literary culture.
If every outlet for book criticism suddenly disappeared -- if all we had were reviews that treated books like any other commodity -- could the novel survive? In a gauntlet-throwing essay at the start of this brilliant assemblage, Cynthia Ozick stakes the claim that, just as surely as critics require a steady supply of new fiction, novelists need great critics to build a vibrant community on the foundation of literary history. For decades, Ozick herself has been one of our great critics, as these essays so clearly display. She offers models of critical analysis of writers from the mid-twentieth century to today, from Saul Bellow, Bernard Malamud, and Kafka, to William Gass and Martin Amis, all assembled in provocatively named groups: Fanatics, Monsters, Figures, and others....
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The boys in the alley, the disappearing readers, and the novel's ghostly twin -- Novel or nothing : Lionel Trilling -- The lastingness of Saul Bellow -- "Please, stories are stories" : Bernard Malamud -- W.H. Auden at the 92nd Street Y -- Transcending the Kafkaesque -- Nobility eclipsed -- Writers,
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A rich collection of essays on reading, writing, and identity from our finest writer in English, V. S. Naipaul. **Literary Occasions** charts more than half a century of personal enquiry into the mysteries of written expression, and of fiction in particular. **Literary Occasions** brings togeth
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