Critical Cultural Policy Studies: A Reader

• Publisher: Wiley-Blackwell
• Year: 2002
• Tongue: English
• Leaves: 352
• Category: Library

✦ Synopsis

Critical Cultural Policy Studies: A Reader brings together classic statements and contemporary views that illustrate how everyday culture is as much a product of policy and economic determinants as it is of creative and consumer impulses.Content:
Chapter 1 Cultural Studies from the Viewpoint of Cultural Policy (pages 13–22): Suart Cunningham
Chapter 2 Cultural Policy Studies (pages 23–42): Jim McGuigan
Chapter 3 From Inventing American Broadcasting (pages 48–54): Susan J. Douglas
Chapter 4 The Backlash Against Broadcast Advertising (pages 55–70): Susan Smulyan
Chapter 5 The Effects of Telecommunication Reform on US Commercial Radio (pages 71–79): Nina Huntemann
Chapter 6 Embedded Aesthetics: Creating a Discursive Space for Indigenous Media (pages 88–99): Faye Ginsburs
Chapter 7 Doing it My Way?Broadcasting Regulation in Capitalist Cultures: The Case of “Fairness” and “Impartiality” (pages 100–113): Sylvia Harvey
Chapter 8 TV Viewing as Good Citizenship? Political Rationality, Enlightened Democracy and PBS (pages 114–128): Laurie Ouellette
Chapter 9 Burning Rubber's Perfume (pages 129–133): Isaac Julien
Chapter 10 The Film Industry and the Government: “Endless Mr Beans and Mr Bonds”? (pages 134–141): Toby Miller
Chapter 11 The Marketplace Citizen and the Political Economy of Data Trade in the European Union (pages 149–160): Richard Maxwell
Chapter 12 “That Deep Romantic Chasm”: Libertarianism, Neoliberalism, and the Computer Culture (pages 161–171): Thomas Streeter
Chapter 13 The Marketplace Citizen and the Political Economy of Data Trade in the European Union (pages 149–160): Richard Maxwell
Chapter 14 Art (pages 188–191): Owen Kelly
Chapter 15 Object Lessons: Fred Wilson Reinstalls Museum Collections to Highlight Sins of Omission (pages 192–195): Pamela Newkirk
Chapter 16 Hegemonic Masculinity, the State, and the Politics of Gender Equity Policy Research (pages 202–210): Jim McKay
Chapter 17 Sports Wars: Suburbs and Center Cities in a Zero?Sum Game (pages 212–224): Samuel Nunn and Mark S. Rosentraub
Chapter 18 Radio Space and Industrial Time: The Case of Music Formats (pages 230–239): Jody Berland
Chapter 19 Musical Production, Copyright, and the Private Ownership of Culture (pages 241–252): Kembrew McLeod
Chapter 20 “We Are the World”: State Music Policy, Cultural Imperialism, and Globalization (pages 253–263): Roy Shuker
Chapter 21 Television Set Production at the US–Mexico Border: Trade Policy and Advanced Electronics for the Global Market (pages 272–281): Mari Castaneda Paredes
Chapter 22 Trade and Information Policy (pages 282–301): Sandra Braman
Chapter 23 Crafting Culture: Selling and Contesting Authenticity in Puerto Rico';s Informal Economy (pages 302–310): Arlene Ddvila
Chapter 24 Re?Inventing Times Square: Cultural Value and Images of “Citizen Disney” (pages 316–326): Lynn Cornelia
Chapter 25 All the World';s a Mall: Reflections on the Social and Economic Consequences of the American Shopping Center (pages 327–334): Kenneth T. Jackson
Chapter 26 Citizenship and the Technopoles (pages 335–343): Vincent Mosco