<span>Classrooms in Australia have undergone a dramatic change. The increase in the amount of technology present in our classrooms and the growth in students' levels of digital fluency means educators need to equip themselves with the necessary skills to teach in a digital age. The need to have a di
Creative Collaboration in Teaching
β Scribed by Marcelo Giglio (auth.)
- Publisher
- Palgrave Macmillan UK
- Year
- 2015
- Tongue
- English
- Leaves
- 255
- Series
- Palgrave Studies in Creativity and Culture
- Edition
- 1
- Category
- Library
No coin nor oath required. For personal study only.
β¦ Synopsis
Creative Collaboration in Teaching focuses on the question of how best to facilitate creative collaboration among students in the classroom settingβwith a focus on music composition and from the perspective of social-cultural psychology. This book is comprehensive, cutting-edge and scholarly in its approach. Marcelo Giglioβs attention to music and creativity is detailed enough to satisfy any researcher, educator or teacher educator; but at the same time, his research approach, classroom observations and overriding recommendations can be easily applied to a wide range of subject areas. Giglio combines a rigorous review of the relevant literatures on creativity and social interactions with the reporting and analysis of his own original data across the world, and then goes on to support this important work with detailed descriptions of classroom episodesβstudent-to-student and teacher-to-student interactions. By combining these three elements, this book offers socio-creative and pedagogical models for education in practice as well as teacher education and research.
β¦ Table of Contents
Front Matter....Pages i-xx
Introduction or Prelude....Pages 1-3
Front Matter....Pages 5-5
Music, or the Organization of Sound....Pages 7-14
Towards an Innovative Methodology for Teaching Music....Pages 15-21
The Space Given to Musical Creativity in the Classroom....Pages 22-29
Issues Debated in the Research Literature....Pages 30-45
Front Matter....Pages 47-47
Flexible and Creative Pedagogical Sequences....Pages 49-56
βPredicting, Implementing, and Observingβ: A Methodological Approach....Pages 57-68
First Stage: Implementation, Observations, and Modifications from the Perspective of a Teacher Researcher....Pages 69-102
Stage Two: Implementation, Observations, and Modifications with Swiss Teachers-in-Training and an Argentine Teacher....Pages 103-124
Front Matter....Pages 125-125
Consolidation of the Flexible Pedagogical Sequences....Pages 127-136
Towards a βSocio-Creativeβ Approach to Education....Pages 137-142
Front Matter....Pages 143-143
Stage Three: Definitions and Considerations for Observing the Interaction between Students and Teachers....Pages 145-157
How Do Students Collaborate Creatively?....Pages 158-186
Creative Scaffolding: A Way of Teaching That Should Change....Pages 187-200
How Student Creative Collaboration and Teaching Practices Affect Each Other....Pages 201-205
Front Matter....Pages 207-207
Towards a Creative Teaching/Learning Process....Pages 209-213
Five Research Perspectives for Researchers and Students....Pages 214-219
Back Matter....Pages 220-242
β¦ Subjects
Teaching and Teacher Education;Educational Psychology;Educational Policy and Politics;Assessment, Testing and Evaluation
π SIMILAR VOLUMES
Rodin's sculpture "The Thinker" dominates our collective imagination as the purest representation of human inquiry--the lone, stoic thinker. But while the Western belief in individualism romanticizes this perception of the solitary creative process, the reality is that scientific and artistic forms
Rodin's sculpture "The Thinker" dominates our collective imagination as the purest representation of human inquiry--the lone, stoic thinker. But while the Western belief in individualism romanticizes this perception of the solitary creative process, the reality is that scientific and artistic forms
This book focuses on a process which is generally known as teacher planning. Teacher planning is assumed in this work to serve two important functions. Its first function is to make teacher knowledge influence teacher intervention. Its second function is to promote the development of teacher knowled
The notion of the individual creator, a product in part of the Western romantic ideal, is now troubled by accounts and explanations of creativity as a social construct. While in collectivist cultures the assimilation (but not the denial) of individual authorship into the complexities of group produc