Amazon.com Review
Crazy for the Storm a memoir that will last. He almost has too much to tell: a way-larger-than-life father--former child actor, FBI man (who took on Hoover in a Tom Nissley
Amazon Exclusive Essay: It Starts With a Good Story by Norman Ollestad
It was time for my eight-year old son, Noah, to read before bed. ''Eh,'' he groaned. ''Reading is so boring. It sucks.'' Heβd been reciting this same mantra for months. I was resting beside him in his bed and I saw his whole life crumble--a slew of poor report cards and father-son arguments, ending in long term unemployment. ''What about Dr. Seuss?'' I reasoned. He glared at me with his brown eyes. ''It's okay,'' he mumbled. I opened the book he was reading for his class and handed it to him. He stared at it, mute. ''Noah,'' I said from my lowest register. He proceeded to read at a snail's pace and I pointed out that it would take him twice as long as usual to get through the required five pages. So he ran the words together, not even stopping at periods. I grabbed the book and told him we'd be reading all weekend to make up for his lack of cooperation. For months I coerced him like that, urging him past his lazy monotone, trying to get him to connect with the story. It was a long few months.
When I was Noah's age I also disliked reading. I just wanted to hear the story without having to work for it. I had wished my dad could work the same kind of magic he did with surfing: he'd push me into the waves so that I could simply enjoy the ride, eliminating the most arduous, frustrating part of surfing--paddling for the wave.
My father was always asking my mother, who was a grade-school teacher, why I wasn't a better reader. She advocated patience, and encouraged me by tirelessly pointing out things in each story that I might relate to. My father was killed when I was eleven, so he never got to witness my eventual love of reading.
In order to help Noah find that love, I searched for a seminal moment in my past that had transformed me. There was no single thing. But during my reminiscences I flashed on Dad reading aloud my grandparents' monthly letters from Mexico. They had retired to Puerto Vallarta and their letters were filled with stories. Stories about an inland village where Grandpa went twice a week to buy ice for their fridge, to keep their food cold. Stories about helping a Mexican family after a hurricane hit Puerto Vallarta. Stories of secret waterfalls and secluded isthmuses that Grandpa and Grandma had discovered around Vallarta. And thatβs when it hit me--it was very simple: the essence of my love for reading really emanates from my love for stories.
''How about I tell you a story tonight,'' I whispered with great zeal to Noah. His eyes lit up and he smiled. ''What kind of story?''
''Any kind,'' I said.
''A story about a magic skateboard would be cool,'' he suggested. As I spun the impromptu tale, he rolled onto his side and stared at me, totally focused. The following night I made a bargain with him: ''First read five pages, then I'll work up a story about whatever you want.'' Before I got myself nestled beside him, he was halfway through the first page. Progressively, Noah's topics became more elaborate, and soon he was giving me outlines for stories. Somewhere along the line his reading voice changed--he was gobbling up the sentences, his voice alive with inflection. He'd broken through. Noah was hooked on stories, like I got hooked on riding waves. Once he'd experienced the pleasure of going on that narrative ride, reading became second nature, like paddling for a wave. It all starts with a good story.
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From Publishers Weekly
In a spare, brisk prose, Ollestad tells the tragic story of the pivotal event of his life, an airplane crash into the side of a mountain that cost three lives, including his father's, in 1979. Only 11 years old at the time, he alone survived, using the athletic skills he learned in competitive downhill skiing, amid the twisted wreckage, the bodies and the bone-chilling cold of the blizzard atop the 8,600-foot mountain. Although the narrative core of the memoir remains the horrifying plane crackup into the San Gabriel Mountains, its warm, complex soul is conveyed by the loving relationship between the former FBI agent father and his son, affectionately called the Boy Wonder, during the golden childhood years spent in wild, freewheeling Malibu and Mexico in the late 1970s. Ollestad's unyielding concentration on the themes of courage, love and endurance seep into every character portrait, every scene, making this book an inspiring, fascinating read. (May)
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