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Cover of Cosmopolis: A Novel

Cosmopolis: A Novel

✍ Scribed by Don Delillo


Publisher
Scribner
Year
2003;2012
Tongue
English
Weight
173 KB
Edition
Scribner trade paperback edition
Category
Fiction
ISBN
0743244257

No coin nor oath required. For personal study only.

✦ Synopsis


Now a major motion picture directed by David Cronenberg and starring Robert Pattinson, Cosmopolis is the thirteenth novel by one of Americas most celebrated writers.

It is an April day in the year 2000 and an era is about to end. The booming times of market optimismwhen the culture boiled with money and corporations seemed more vital and influential than governments are poised to crash. Eric Packer, a billionaire asset manager at age twenty-eight, emerges from his penthouse triplex and settles into his lavishly customized white stretch limousine. Today he is a man with two missions: to pursue a cataclysmic bet against the yen and to get a haircut across town. Stalled in traffic by a presidential motorcade, a music idols funeral and a violent political demonstration, Eric receives a string of visitorsexperts on security, technology, currency, finance and a few sexual partnersas the limo sputters toward an increasingly uncertain future.

Cosmopolis, Don DeLillos thirteenth novel, is both intimate and global, a vivid and moving account of the spectacular downfall of one man, and of an era.

**

From Publishers Weekly

For a book about a 28-year-old new-economy billionaire with a "frozen heart," Patton adopts a distant, machine-like narrative tone that has all the warmth of the computer HAL in Stanley Kubrick's 2001. It's a fitting approach, as the asset manager at the novel's center, Eric Packer, is hardly an avaricious tycoon, but rather an insular and literate egotist who seems more given to detached, philosophical reveries on everyday trivialities than to serious business analysis. That, too, fits, as this novel from DeLillo (Underworld; White Noise) takes place entirely in one day as Packer's life unravels while he's driven across Manhattan to get a haircut. He remains aloof both to listeners and to those around him, and Patton's understated reading imbues the proceedings with the subtle edginess of a mild drug. That's not to say that things are completely monotone, though; Patton also deftly portrays characters ranging from Packer's gruff, paranoid head of security to his aging Italian barber, one of the few characters who seem truly human. But the book is really an extended meditation, and while Patton's pitch may be perfect, the recording isn't for everyone.

Copyright 2003 Reed Business Information, Inc.

From Library Journal

Unlike his sprawling masterpiece, Underworld, DeLillo's 13th novel is short and tightly focused, indeed almost claustrophobic. Most of the action takes place inside a "prousted" (cork-lined) stretch limo, as the reclusive financial wizard Eric Packer is chauffeured across Manhattan for a haircut. Thanks to a presidential visit, antiglobalization demonstrations, and a celebrity funeral, this journey takes up most of the day. Stuck in traffic, Packer anxiously monitors the value of the yen on the limo's computer. Using the car as his office, he summons advisors from nearby shops and restaurants. His physician gives him a rubber-gloved physical exam in the back seat as Packer discusses imminent financial ruin with his broker and angry crowds block the streets. This work most closely resembles The Body Artist in its brevity and straightforward narrative flow. However, the earlier novel was written in an uncharacteristically warm, poetic style, promising a new direction for this important writer, while Cosmopolis reverts to the standard DeLillo boilerplate, perceptive and funny but also brittle and cold. This, coupled with the book's dated 1990s sensibility, makes Cosmopolis a step backward rather than an artistic advance.

Edward B. St. John, Loyola Law Sch. Lib., Los Angeles

Copyright 2002 Reed Business Information, Inc.

✦ Subjects


A Novel


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